%0 Book Section
%T IVisages
publisher Akademia Nauk Stosowanych w Nowym Sączu
%D 2022
%U 978-83-65575-96-8
%@ https://hdl.handle.net/20.500.14352/133518
%X This quadruple self-portrait is inspired by the resources used by Tadeusz Kantor in his "Theatre of Death". The omnipresence of the mannequin alternating with the actors offers us an artificial, doll-like vision of the characters. The use of the mask, traditionally associated with funeral rites, turns the features that once possessed life into objects, into some sort of still life. making the face the domain of the uncanny.
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