2026-08-16T04:49:26Zhttps://docta.ucm.es/rest/oai/requestoai:docta.ucm.es:20.500.14352/1001822025-07-16T14:38:23Zcom_20.500.14352_14col_20.500.14352_15
Docta Complutense
author
Cappuccio, Chiara
2024-02-08T08:37:46Z
2024-02-08T08:37:46Z
2021
0391-3368
https://hdl.handle.net/20.500.14352/100182
https://www.italinemo.it/fascicolo/italianistica-2021-n-1/
In questo contributo si analizzano le presenze musicali di una delle zone più singolari
del poema dantesco, l’Antipurgatorio. Oltre ad avere connotazioni geodesiche e morali proprie
l’Antipurgatorio è caratterizzato da un’organizzazione musicale diversa dalle altre due macrozone
purgatoriali, la cui natura può essere individuata in un principio di progressione continua che conduce
dall’intonazione incipitaria del salmo 113 fino al nuovo paesaggio musicale della «valletta fiorita
», sugellato dal canto dell’inno a Compieta «Te lucis ante». Su tale principio progressivo si struttura
la ricerca di una musica in grado non solo di accompagnare il nuovo percorso oltremondano
inaugurato dalla seconda cantica ma anche di diventare una fonte di informazione costante ed immediata
per i lettori medievali familiarizzati con l’uso liturgico.
ita
«Seguitando il mio canto con quel suono». La natura musicale dell'Antipurgatorio.
journal article
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URL
https://docta.ucm.es/bitstreams/247fd4e5-969f-43ef-bee2-7d74036e6c29/download
File
MD5
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application/pdf
Italianistica.pdf
URL
https://docta.ucm.es/bitstreams/b0608d71-7ce1-49e2-9d6b-2e49b8ed4252/download
File
MD5
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text/plain
Italianistica.pdf.txt