<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-29T07:25:54Z</responseDate><request verb="GetRecord" identifier="oai:docta.ucm.es:20.500.14352/109980" metadataPrefix="oai_dc">https://docta.ucm.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:docta.ucm.es:20.500.14352/109980</identifier><datestamp>2025-03-18T14:50:26Z</datestamp><setSpec>com_20.500.14352_14</setSpec><setSpec>col_20.500.14352_15</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>La Tebaida Palatina: San Antonio Abad y san Pablo Ermitaño de Velázquez</dc:title>
   <dc:title>The Palatine Thebaid: Velázquez's Saint Anthony Abbot and Saint Paul the Hermit.</dc:title>
   <dc:creator>Hermoso Cuesta, Miguel</dc:creator>
   <dc:contributor>Université de Lille</dc:contributor>
   <dc:subject>7.034</dc:subject>
   <dc:subject>Z11</dc:subject>
   <dc:subject>Velázquez</dc:subject>
   <dc:subject>Diego Velázquez</dc:subject>
   <dc:subject>Baroque</dc:subject>
   <dc:subject>Baroque Painting</dc:subject>
   <dc:subject>Barroco</dc:subject>
   <dc:subject>Pintura barroca</dc:subject>
   <dc:subject>Siglo de Oro</dc:subject>
   <dc:subject>Buen Retiro</dc:subject>
   <dc:subject>Ermitas</dc:subject>
   <dc:subject>Hermitages</dc:subject>
   <dc:subject>Ermites</dc:subject>
   <dc:subject>Humanidades</dc:subject>
   <dc:subject>Historia del Arte</dc:subject>
   <dc:subject>55 Historia</dc:subject>
   <dc:subject>5506.02 Historia del Arte</dc:subject>
   <dc:description>El artículo estudia el contexto en el que fue creado el lienzo San Antonio Abad y san Pablo ermitaño
de Velázquez, destacando su integración en el conjunto del Buen Retiro y la originalidad del
planteamiento del tema, pensado como "aemulatio" por parte del pintor.</dc:description>
   <dc:description>The article deals with the context in which the painting by Diego Velázquez, San Antonio Abad y
san Pablo ermitaño, was created, studying its integration in the Buen Retiro palace and gardens, as
well as the originality of the treatment of the theme, conceived as an "aemulatio" by the painter.</dc:description>
   <dc:description>Cet article étudie le contexte de création du tableau San Antonio Abad y san Pablo ermitaño de
Velázquez, en analysant particulièrement son intégration à l’ensemble du Buen Retiro et
l’originalité du traitement du thème, conçu comme une "aemulatio" par le peintre.</dc:description>
   <dc:description>Depto. de Historia del Arte</dc:description>
   <dc:description>Fac. de Geografía e Historia</dc:description>
   <dc:description>TRUE</dc:description>
   <dc:description>pub</dc:description>
   <dc:date>2024-11-05T11:26:35Z</dc:date>
   <dc:date>2024-11-05T11:26:35Z</dc:date>
   <dc:date>2021</dc:date>
   <dc:type>journal article</dc:type>
   <dc:type>VoR</dc:type>
   <dc:identifier>https://hdl.handle.net/20.500.14352/109980</dc:identifier>
   <dc:identifier>2426-394X</dc:identifier>
   <dc:language>spa</dc:language>
   <dc:rights>open access</dc:rights>
   <dc:format>application/pdf</dc:format>
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