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oai:docta.ucm.es:20.500.14352/1108612025-03-18T12:49:52Zcom_20.500.14352_14col_20.500.14352_21

Beyond Sound and Listening: Urban Sound Installations and Perception Andueza Olmedo, María Minevich, Pauline Waterman, Ellen 7 781 Arte sonoro Instalaciones sonoras Creación sonora Espacio público Arte público Bellas Artes 6299 Otras Especialidades Artísticas In different ways, works of art conceived for specific places lead us to consider the audience’s presence, or in a wider sense, the presence of the individual, within the space of the work. This chapter analyses sound installations in urban environments using a historical and multidisciplinary approach and focusing on their reception by the “city-citizen” (a term that recognizes the reciprocal influence of the dynamic space of the city and its urban inhabitants). When site-specific artworks include sound as a material, they also incorporate or reinforce ideas of temporality, simultaneity, and dynamism and these same qualities are inherent to the modern city. Drawing on 1960s research by urban planner Kevin Lynch, the chapter deals with the impact of urban sound installations by Max Neuhaus, Bernard Leitner, Bill Fontana, and Bruce Nauman. All these artists create works that, by immersing the citizen in sound, change and enrich his or her perception of the city. Depto. de Diseño e Imagen Fac. de Bellas Artes TRUE pub 2024-11-20T15:20:56Z 2024-11-20T15:20:56Z 2013 book part AM https://hdl.handle.net/20.500.14352/110861 XXXX-XXXX eng «Beyond Sound and Listening: Urban Sound Installations and Perception» En The Art of Immersive Soundscapes. Harley, J., Minevich, P. y Waterman, E., eds. Regina, Sask.: Canadian Plains Research Centre Press, 2013, pp. 25-36. Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ open access application/pdf Canadian Plains Research Centre Press