2026-07-29T01:53:50Zhttps://docta.ucm.es/rest/oai/requestoai:docta.ucm.es:20.500.14352/1111432025-03-18T14:29:13Zcom_20.500.14352_14col_20.500.14352_20
Docta Complutense
author
Andueza Olmedo, María
2024-11-27T14:25:32Z
2024-11-27T14:25:32Z
2012
«The value of the Public in Sound Art as a metaphor of an Expanded Spatiality. Creating and Curating Public Sound Art» Actas del congreso Sound, Media, and the Environment. Hochschule Darmstadt, Media Campus: Dieburg, Alemania, 2012
978-3-00-038817-0
https://hdl.handle.net/20.500.14352/111143
http://www.the-global-composition-2012.org/programme.html
The experience of public spaces in large cities often returns to aggressive environments in which the citizen is deprived of the temporal space of the imagination. Different events in the city propitiate an environment of unidirectional stimuli. This situation is experimented as symbolic violence and dismisses the creative perception of the citizens in favor of a perception completely guided by the network of unrecognized power relations. In the paper, different examples of sound installations and sound actions in the public space will be analyzed. Attention will be paid to the responses they allow to the citizens, as well as to the works' repercussions in the social spaces of the city. The paper aims to elucidate different forms of sound art interventions in the public space. The recognition of the social public sphere, the triggering of an expanded experience of the city places, and the double immersion of the citizen-user will be pointed out as directions to be considered.
eng
The value of Public in Sound Art as a metaphor of an Expanded Spatiality. Creating and Curating Public Sound Art
conference paper
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URL
https://docta.ucm.es/bitstreams/1a60d64c-83b5-43d7-a744-286777810839/download
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The_value_of_the_Public_in_Sound_Art_as.pdf
URL
https://docta.ucm.es/bitstreams/20def124-42a2-4536-b4ff-bbd8fb02eeb3/download
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text/plain
The_value_of_the_Public_in_Sound_Art_as.pdf.txt