2026-06-29T07:42:27Zhttps://docta.ucm.es/rest/oai/request

oai:docta.ucm.es:20.500.14352/1173302025-03-18T15:22:03Zcom_20.500.14352_14col_20.500.14352_15

Wolf Vostell’s 'dé-coll/age' Magazine: The Editorial Design of Action Art Riviere Ríos, Henar 7.01 Fluxus Happening Performance Studies Action Art Artist's Magazines Harald Szeemann George Maciunas Humanidades 62 Ciencias de las Artes y las Letras This article delves into the debates that shaped the history of Fluxus and its critical reception through a detailed study of the magazine dé-coll/age, which Dick Higgins described as “the best forum for avant-garde ideas in Europe—by default, in the world.” Published between 1962 and 1969 by the German artist Wolf Vostell, dé-coll/age was not merely an interesting artist’s magazine. This study demonstrates that it also functioned as a highly effective tool for Vostell to shape both the course of events and the critical reception of Fluxus and action art, by means of a distinctive editorial design that was not only remarkably persuasive but also had a decisive influence on seminal publications such as Interfunktionen and the milestone exhibition Happening & Fluxus, curated by Harald Szeemann in 1970. Depto. de Historia del Arte Fac. de Geografía e Historia TRUE pub 2025-01-30T14:36:09Z 2025-01-30T14:36:09Z 2021 journal article VoR https://hdl.handle.net/20.500.14352/117330 2673-2955 2673-2904 eng Rivière, Henar. “Wolf Vostell’s 'dé-coll/age' Magazine: The Editorial Design of Action Art.” Fluxus Perspectives. Ed. Martin Patrick and Dorothee Richter. OnCurating 51 (September 2021): 189–205. Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ open access application/pdf OnCurating.org