2026-06-28T14:59:22Zhttps://docta.ucm.es/rest/oai/requestoai:docta.ucm.es:20.500.14352/1299172026-01-13T01:23:42Zcom_20.500.14352_14col_20.500.14352_15
Docta Complutense
author
Manzano Espinosa, Cristina
2026-01-12T15:12:46Z
2026-01-12T15:12:46Z
2013
Manzano Espinosa, Cristina. 2013. "Recovering Art Techniques in the Animation Process." The International Journal of New Media, Technology and the Arts 7 (3): 1-10.
2326-9987
https://hdl.handle.net/20.500.14352/129917
2327-1787
https://artsinsociety.com/https://portal.issn.org/resource/ISSN/2327-1787
Author and authorship, in the sense that we are going to use the concepts, were born in the late fifties when a group of French critics and filmmakers vindicated certain names in the classic American cinema as creators able to leave their own marks on their works, beyond the supervision of the American film studios organization. We will use these concepts to evaluate the relationship between the creative control within the short animation films and the use of traditional art techniques, which involve drawing, painting, or even claymation. A separation from digital works means another production and artistic perspective, which has found in the web a major distribution system and acknowledgement for authors. The use of traditional art techniques is not only an aesthetic decision, but also serves as narration, as each technique has its own expressive application. Through several examples of contemporary filmmakers working with this kind of approach, this paper will analyse both the artistic and narrative results.
eng
Attribution-NoDerivatives 4.0 International
Recovering Art Techniques in the Animation Process
journal article
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URL
https://docta.ucm.es/bitstreams/8cdd5947-bfc5-482a-a0ac-f52b3b092d93/download
File
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f3f03285fa70b621839748a0a6aeed8f
315930
application/pdf
Recovering Art Techniques in the Animation Process POST PRINT.pdf