2026-06-28T04:45:47Zhttps://docta.ucm.es/rest/oai/request

oai:docta.ucm.es:20.500.14352/136292023-08-25T21:58:52Zcom_20.500.14352_14col_20.500.14352_15

00925njm 22002777a 4500 dc Bernárdez Rodal, Asunción author Padilla Castillo, Graciela author Sosa Sánchez, Roxana Popelka author 2019 This article addresses how the concept of ‘Action Art’, which came mainly from the anti-cultural movements of May 1968 in Europe, has been transformed into the term Artivism. The main hypothesis is that it is a succession of committed and protest art, transformed by two fundamental elements: the emergence of social networks and the exposure of a very young audience to artistic creation through this network. This type of creative action has acquired an urban character that is strongly linked to civil protest movements. In the second part, this article discusses how both terms circulate as Instagram hashtags in this delocalized world of networks. The terms are used to show that, beyond transcending national territories, new, significant geographies are continually being reconstructed. 1757-1898 https://hdl.handle.net/20.500.14352/13629 From Action Art to Artivism on Instagram: Relocation and instantaneity for a new geography of protest