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                  <mods:namePart>Díaz Núñez de Arenas, Víctor Manuel</mods:namePart>
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               <mods:identifier type="isbn">978-84-18254-40-6</mods:identifier>
               <mods:identifier type="doi">https://institutofranklin.net/publicaciones/coleccion-biblioteca-benjamin-franklin/toward-eco-social-transition-transatlantic-environmental-humanities</mods:identifier>
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               <mods:abstract>Esta historia tiene tres direcciones que se encaminan a un mismo punto: nuestro alejamiento de la naturaleza originaria como lugar del que surge el pensamiento mitológico de los seres humanos. Utilizamos como actores sobre nuestro escenario un concepto, el mito, un canal, el asombro, y una manifestación que, en este caso, es doble: las series Augurs and Soothsayers y Odin’s Cove, de la fotógrafa californiana Beth Moon. Con ellos, intentamos comprender tanto la resignificación del mito a través de sus mismos símbolos ancestrales, como su nuevo papel contribuyendo a la creación de sociedades sostenibles también desde dimensiones que no son meramente materiales, que no solo afectan a los recursos físicos.This story has three directions that are addressed to the same point: Our estrangement from the original nature as the place from which the mythological thought of human beings arises. We use as performers on our stage a concept, the myth, a channel, the wonder, and a showing that is, in this case, twofold: the series Augurs and Soothsayers and Odin's Cove by the Californian photographer Beth Moon. With them, we try to understand both the resignification of the myth through their own ancestral symbols, as its new role contributing to the creation of sustainable societies also from dimensions that are not merely material, that not only affect the physical resources.</mods:abstract>
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                  <mods:title>El mito y el asombro en la fotografía de Beth Moon</mods:title>
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