<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-08T11:03:58Z</responseDate><request verb="GetRecord" identifier="oai:docta.ucm.es:20.500.14352/97542" metadataPrefix="marc">https://docta.ucm.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:docta.ucm.es:20.500.14352/97542</identifier><datestamp>2025-08-21T14:59:51Z</datestamp><setSpec>com_20.500.14352_14</setSpec><setSpec>col_20.500.14352_18</setSpec></header><metadata><record xmlns="http://www.loc.gov/MARC21/slim" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">
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      <subfield code="a">López Anguita, José Antonio</subfield>
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      <subfield code="c">2017</subfield>
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      <subfield code="a">Este capítulo analiza la influencia de la reina María Luisa Gabriela de Saboya (1688-1714) y de su camarera mayor, la princesa de los Ursinos, en la implantación en España de nuevas formas teatro y música cortesana, en particular la Commedia dell'arte y el teatro clásico francés.</subfield>
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      <subfield code="a">López Anguita, José Antonio. Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714). In Cruz, Anne J., Quintero, María Cristina (eds.), Beyond Spain’s Borders: Women Players in Early Modern National Theaters, Londres/Nueva York, Routledge, 2017: 171-192</subfield>
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      <subfield code="a">Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714)</subfield>
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