<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-08T11:25:37Z</responseDate><request verb="GetRecord" identifier="oai:docta.ucm.es:20.500.14352/97542" metadataPrefix="oai_dc">https://docta.ucm.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:docta.ucm.es:20.500.14352/97542</identifier><datestamp>2025-08-21T14:59:51Z</datestamp><setSpec>com_20.500.14352_14</setSpec><setSpec>col_20.500.14352_18</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714)</dc:title>
   <dc:creator>López Anguita, José Antonio</dc:creator>
   <dc:contributor>Cruz, Anne</dc:contributor>
   <dc:contributor>Quintero, María Cristina</dc:contributor>
   <dc:subject>94(100)"15/17"</dc:subject>
   <dc:subject>Marie-Louise of Savoy</dc:subject>
   <dc:subject>Princess of Ursins</dc:subject>
   <dc:subject>Cultural transfer</dc:subject>
   <dc:subject>French Theater</dc:subject>
   <dc:subject>Commedia dell'Arte</dc:subject>
   <dc:subject>Humanidades</dc:subject>
   <dc:subject>5504.04 Historia Moderna</dc:subject>
   <dc:description>Este capítulo analiza la influencia de la reina María Luisa Gabriela de Saboya (1688-1714) y de su camarera mayor, la princesa de los Ursinos, en la implantación en España de nuevas formas teatro y música cortesana, en particular la Commedia dell'arte y el teatro clásico francés.</dc:description>
   <dc:description>Ministerio de Economía y Competitividad (España)</dc:description>
   <dc:description>Depto. de Historia Moderna y Contemporánea</dc:description>
   <dc:description>Fac. de Geografía e Historia</dc:description>
   <dc:description>TRUE</dc:description>
   <dc:description>pub</dc:description>
   <dc:date>2024-02-01T10:14:22Z</dc:date>
   <dc:date>2024-02-01T10:14:22Z</dc:date>
   <dc:date>2017</dc:date>
   <dc:type>book part</dc:type>
   <dc:identifier>https://hdl.handle.net/20.500.14352/97542</dc:identifier>
   <dc:identifier>XXXX-XXXX</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>Transculturalisms, 1400-1700</dc:relation>
   <dc:relation>info:eu-repo/grantAgreement///HAR-2012-39016-C04-01</dc:relation>
   <dc:relation>López Anguita, José Antonio. Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714). In Cruz, Anne J., Quintero, María Cristina (eds.), Beyond Spain’s Borders: Women Players in Early Modern National Theaters, Londres/Nueva York, Routledge, 2017: 171-192</dc:relation>
   <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 International</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
   <dc:rights>restricted access</dc:rights>
   <dc:format>application/pdf</dc:format>
   <dc:publisher>Routledge</dc:publisher>
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