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      <dc:title>Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714)</dc:title>
      <dc:creator>López Anguita, José Antonio</dc:creator>
      <dc:contributor>Cruz, Anne</dc:contributor>
      <dc:contributor>Quintero, María Cristina</dc:contributor>
      <dc:description>Este capítulo analiza la influencia de la reina María Luisa Gabriela de Saboya (1688-1714) y de su camarera mayor, la princesa de los Ursinos, en la implantación en España de nuevas formas teatro y música cortesana, en particular la Commedia dell'arte y el teatro clásico francés.</dc:description>
      <dc:date>2024-02-01T10:14:22Z</dc:date>
      <dc:date>2024-02-01T10:14:22Z</dc:date>
      <dc:date>2017</dc:date>
      <dc:type>book part</dc:type>
      <dc:identifier>López Anguita, José Antonio. Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714). In Cruz, Anne J., Quintero, María Cristina (eds.), Beyond Spain’s Borders: Women Players in Early Modern National Theaters, Londres/Nueva York, Routledge, 2017: 171-192</dc:identifier>
      <dc:identifier>978-1-138-21799-7</dc:identifier>
      <dc:identifier>https://hdl.handle.net/20.500.14352/97542</dc:identifier>
      <dc:identifier>https://www.routledge.com/Beyond-Spains-Borders-Women-Players-in-Early-Modern-National-Theaters/Cruz-Quintero/p/book/9780367140366</dc:identifier>
      <dc:language>eng</dc:language>
      <dc:relation>Transculturalisms, 1400-1700</dc:relation>
      <dc:relation>info:eu-repo/grantAgreement///HAR-2012-39016-C04-01</dc:relation>
      <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
      <dc:rights>restricted access</dc:rights>
      <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 International</dc:rights>
      <dc:publisher>Routledge</dc:publisher>
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