Zubieta Jarén, Bárbara2026-01-292026-01-292025-10-06Zubieta Jarén, B. (2025, 6 de octubre). The aesthetics of mourning in Toni Morrison’s Beloved. En 3rd International Seminar Literature and Emotions: Vigils of Absent Time: Essays on Mourning in Literature and the Arts (pp. 18–20). https://drive.google.com/file/d/1KpVGOKU-loA2uQwK36DW3Hs_v8zrTCoS/viewhttps://hdl.handle.net/20.500.14352/131264The Aesthetics of Mourning in Toni Morrison’s Beloved. Toni Morrison’s Beloved (1987) is a profound exploration of mourning, memory, and the induring scars of slavery. At its core, the novel portrays mourning as a deeply personal and collective process, rooted in the traumatic legacy of systemic oppression. The narrative centers on Sethe, an escaped enslaved woman haunted by the ghost of her deceased daughter, Beloved, whom she killed to save from a life of bondage. Through Sethe’s grief, Morrison examines mourning not only as an emotional response to death but also as a confrontation with unresolved trauma and guilt. Morrison’s portrayal of mourning transcends traditional frameworks like Elisabeth Kübler-Ross’s five stages of grief. Instead, it presents mourning as a cyclical and nonlinear process intertwined with memory and identity. Sethe’s grief manifests physically through her interactions with Beloved’s ghost, symbolizing how the past refuses to remain buried. This spectral presence reflects what Avery Gordon describes as “haunting,” where unresolved histories demand acknowledgment (Gordon, 1997). Morrison’s use of magical realism amplifies this dynamic, blending the tangible and intangible to depict mourning as both a psychological burden and a spiritual reckoning. The novel also interrogates the communal dimensions of grief. While Sethe’s mourning isolates her, the Black community eventually intervenes to help her confront and release her sorrow. This act underscores the role of collective solidarity in healing individual pain, aligning with Judith Butler’s concept of mourning as an ethical act that reaffirms interdependence (Butler, 2004). In Beloved, mourning becomes an aesthetic principle that shapes both form and content. Morrison’s fragmented narrative structure mirrors the disorientation of grief, while her lyrical prose evokes its emotional intensity. By situating mourning within the broader context of historical trauma, Beloved demonstrates how literature can transform personal loss into a powerful meditation on resilience and memory.engconference outputhttps://www.letras.ulisboa.pt/pt/agenda/vigilias-do-tempo-ausente-ensaios-sobre-o-luto-na-literatura-e-nas-arteshttps://cecomp.letras.ulisboa.pt/eventos-detalhe.php?p=1174https://sites.google.com/edu.ulisboa.pt/literaturaemocao-cecomp/edi%C3%A7%C3%A3o-actual-current-eventshttps://drive.google.com/file/d/1KpVGOKU-loA2uQwK36DW3Hs_v8zrTCoS/viewmetadata only access821.111(73)MourningTraumaMemorySlaveryHauntingMagical RealismCommunityHumanidades5701.07 Lengua y Literatura