«Ya ve, toda la casa está alegre con ‘Júbilos’». Cartas, prensa periódica y redes intelectuales de Carmen Conde en Buenos Aires (1925-1934)
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2024
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UNED - Universidad Nacional de Educación a Distancia
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Broullón Lozano, Manuel A. (2024). «'Ya ve, toda la casa está alegre con Júbilos'. Cartas, prensa periódica y redes intelectuales de Carmen Conde en Buenos Aires (1925-1934)», Revista de Escritoras Ibéricas 12, pp. 67-100. https://doi.org/10.5944/rei.vol.12.2024.41465
Abstract
Los mecanismos que impulsaron la relevancia de Carmen Conde en el campo cultural europeo y latinoamericano se apoyaron en cuatro elementos intersecantes: 1) su identidad autoral de mujer con firme voluntad creadora; 2) su escritura; 3) el espacio social por el que circularon sus obras; y 4) los medios de comunicación que conectaron con éxito todos estos ámbitos. En este artículo se estudiarán las relaciones de la escritora con interlocutores y publicaciones de Buenos Aires entre 1925 y 1934, periodo decisivo en la construcción de su estilo literario y para el reconocimiento internacional de su autoría, a través de las cartas y las publicaciones periódicas.
The mechanisms that established Carmen Conde’s prominence in the European and Latin American cultural spheres were grounded in four intersecting dimensions: (1) her authorial identity as a woman with a distinct creative determination; (2) her literary production; (3) the social contexts in which her works circulated; and (4) the media that effectively connected these elements. This essay examines the writer’s texts and her interactions with intellectual interlocutors in Buenos Aires between 1925 and 1934, a critical period for the development of her literary style and the international recognition of her authorship, facilitated through correspondence and publications in newspapers.
The mechanisms that established Carmen Conde’s prominence in the European and Latin American cultural spheres were grounded in four intersecting dimensions: (1) her authorial identity as a woman with a distinct creative determination; (2) her literary production; (3) the social contexts in which her works circulated; and (4) the media that effectively connected these elements. This essay examines the writer’s texts and her interactions with intellectual interlocutors in Buenos Aires between 1925 and 1934, a critical period for the development of her literary style and the international recognition of her authorship, facilitated through correspondence and publications in newspapers.













