Plasticity, Maleability, Inestability of the Wax in Contemporary Art. Reflectins on Conservation of a Changing Material

dc.conference.date'21-23 Sept 2016'
dc.conference.placeMuseo Nacional Centro de Arte Reina Sofía (MNCARS)
dc.conference.titleYOCOCU. 5th International Conference Youth in Conservation of Cultural Heritage
dc.contributor.authorElena Rodríguez González de Canales
dc.contributor.authorSánchez Ortiz, María Alicia
dc.contributor.authorVanrell Vellosillo, Arianne
dc.date.accessioned2026-04-22T18:09:39Z
dc.date.available2026-04-22T18:09:39Z
dc.date.issued2016-09
dc.description.abstractSince the beginning, the art of sculpture was aiming to imitate the physical characteristics of the human body to give it a credible appearance. In this sense, the ductility of the wax and its ability to constantly mutate in different physical states, on one hand, and the broad range of signifiers able to express on the other, have made it a material highly valued in artistic creation. If in the seventeenth and eighteenth centuries, the anatomical wax models were the best examples of how aesthetic could have an influence in the scientific process and the new means of artistic expression were materialized, the fascination shown by contemporary art to the theme of mortality and the reflection about the authenticity of the human body, have helped to put the wax in an important position. Against the interest that existed in other historical moments to show how the human body and the description of its anatomy, contemporary art focuses on showing it as a container where all the contradictions of modern society are concentrated.
dc.description.departmentDepto. de Pintura y Conservación-Restauración
dc.description.facultyFac. de Bellas Artes
dc.description.refereedTRUE
dc.description.sponsorshipMinisterio de Economía y Competitividad
dc.description.statuspub
dc.identifier.citationRodríguez González de Canales, E., Sánchez Ortiz, A., y Vanrell Vellosillo, A. (2016). Plasticity, maleability, inestability of the wax in contemporary art. Reflections on conservation of a changing material [Sesión de poster, p. 209]. 5th International Conference Youth in Conservation of Cultural Heritage (YOCOCU), Madrid, España.
dc.identifier.isbn978-84-617-4237-0
dc.identifier.officialurlhttps://www.museoreinasofia.es/actividad/yococu-2016
dc.identifier.urihttps://hdl.handle.net/20.500.14352/134981
dc.language.isoeng
dc.page.final209
dc.page.initial209
dc.relation.projectIDHAR2013-42460
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject.cdu7.025.3
dc.subject.keywordWax
dc.subject.keywordContemporary Art
dc.subject.keywordSculpture'
dc.subject.keywordConservation
dc.subject.ucmConservación y restauración de obras de arte
dc.subject.ucmEscultura (Bellas Artes)
dc.subject.unesco6203 Teoría, Análisis y Critica de las Bellas Artes
dc.titlePlasticity, Maleability, Inestability of the Wax in Contemporary Art. Reflectins on Conservation of a Changing Material
dc.typeconference poster
dc.type.hasVersionVoR
dspace.entity.typePublication
relation.isAuthorOfPublication416f11e8-011d-4771-b14d-bb89cce33ecf
relation.isAuthorOfPublication.latestForDiscovery416f11e8-011d-4771-b14d-bb89cce33ecf

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