Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714)
| dc.book.title | Beyond Spain’s Borders: Women Players in Early Modern National Theaters | |
| dc.contributor.author | López Anguita, José Antonio | |
| dc.contributor.editor | Cruz, Anne | |
| dc.contributor.editor | Quintero, María Cristina | |
| dc.date.accessioned | 2024-02-01T10:14:22Z | |
| dc.date.available | 2024-02-01T10:14:22Z | |
| dc.date.issued | 2017 | |
| dc.description.abstract | Este capítulo analiza la influencia de la reina María Luisa Gabriela de Saboya (1688-1714) y de su camarera mayor, la princesa de los Ursinos, en la implantación en España de nuevas formas teatro y música cortesana, en particular la Commedia dell'arte y el teatro clásico francés. | spa |
| dc.description.department | Depto. de Historia Moderna y Contemporánea | |
| dc.description.faculty | Fac. de Geografía e Historia | |
| dc.description.refereed | TRUE | |
| dc.description.sponsorship | Ministerio de Economía y Competitividad (España) | |
| dc.description.status | pub | |
| dc.identifier.citation | López Anguita, José Antonio. Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714). In Cruz, Anne J., Quintero, María Cristina (eds.), Beyond Spain’s Borders: Women Players in Early Modern National Theaters, Londres/Nueva York, Routledge, 2017: 171-192 | |
| dc.identifier.isbn | 978-1-138-21799-7 | |
| dc.identifier.officialurl | https://www.routledge.com/Beyond-Spains-Borders-Women-Players-in-Early-Modern-National-Theaters/Cruz-Quintero/p/book/9780367140366 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14352/97542 | |
| dc.language.iso | eng | |
| dc.page.final | 192 | |
| dc.page.initial | 171 | |
| dc.page.total | 21 | |
| dc.publication.place | Londres, Inglaterra; Nueva York, Estados Unidos | |
| dc.publisher | Routledge | |
| dc.relation.ispartofseries | Transculturalisms, 1400-1700 | |
| dc.relation.projectID | info:eu-repo/grantAgreement///HAR-2012-39016-C04-01 | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | en |
| dc.rights.accessRights | restricted access | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.subject.cdu | 94(100)"15/17" | |
| dc.subject.keyword | Marie-Louise of Savoy | |
| dc.subject.keyword | Princess of Ursins | |
| dc.subject.keyword | Cultural transfer | |
| dc.subject.keyword | French Theater | |
| dc.subject.keyword | Commedia dell'Arte | |
| dc.subject.ucm | Humanidades | |
| dc.subject.unesco | 5504.04 Historia Moderna | |
| dc.title | Spain, Italy, and France: Marie Louise of Savoy, the Princess of Ursins, and the Crosscurrents of Court Theater during the Spanish War of Succession (1701-1714) | |
| dc.type | book part | |
| dspace.entity.type | Publication | |
| relation.isAuthorOfPublication | cdf745e3-0590-4860-87d1-fd62539e94bc | |
| relation.isAuthorOfPublication.latestForDiscovery | cdf745e3-0590-4860-87d1-fd62539e94bc |
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