Risa y poesía: cinco momentos centroamericanos
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2020
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Ediciones ELCL
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Molina Morales, Guillermo. «Risa y poesía: cinco momentos centroamericanos». Letras, n.º 68, julio-diciembre de 2020, pp. 37-61, https://doi.org/10.15359/rl.2-68.2
Abstract
RESUMEN: Se desarrolla un análisis, desde lo temático, discursivo y cultural, de cinco momentos de la poesía centroamericana, como manifestaciones de sendos modos de representación de la risa, como opción estética. Se analiza el desarrollo desde la poesía decimonónica humorística, el modernismo y sus alternativas, la poesía sociopolítica, la visión metafísica con su contraparte irónica y la novelización de la poesía. El entorno conceptual que fundamenta el estudio es la tesis de que con la Modernidad se rompen vinculaciones de la poesía con nociones como la belleza o el bien, a favor de un internamiento en aspectos esenciales del discurso como tal y su significado en el entorno histórico, como proceso creativo y como ejercicio de lectura.
ABSTRACT: Five moments of Central American poetry are analyzed thematically, discursively and culturally, as manifestations of the respective ways of representing laughter, as an esthetic option. Its development is analyzed beginning with 19th-century humorous poetry, modernism and its alternatives, sociopolitical poetry, the metaphysical vision with its ironic counterpart, and the novelization of poetry. The conceptual setting underlying the study is the thesis that with Modernity, links between poetry and notions such as beauty or good are broken in favor of an internment in essential aspects of discourse as such and its meaning in the historical setting, as a creative process and as an exercise in reading.
ABSTRACT: Five moments of Central American poetry are analyzed thematically, discursively and culturally, as manifestations of the respective ways of representing laughter, as an esthetic option. Its development is analyzed beginning with 19th-century humorous poetry, modernism and its alternatives, sociopolitical poetry, the metaphysical vision with its ironic counterpart, and the novelization of poetry. The conceptual setting underlying the study is the thesis that with Modernity, links between poetry and notions such as beauty or good are broken in favor of an internment in essential aspects of discourse as such and its meaning in the historical setting, as a creative process and as an exercise in reading.