Rosalía : intercambio cultural entre la cantante‒compositora y su entorno creativo
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2024
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15/04/2024
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Universidad Complutense de Madrid
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Abstract
La presente tesis doctoral aborda el estudio de la cantante-compositora Rosalía y su entorno formativo-creativo. Su formación interdisciplinar y los diversos artistas que han ido interviniendo en su devenir como artista han fomentado, de un modo u otro, la creación de una identidad musical ciertamente particular. Rosalía ha generado su propio espacio en la industria musical nutriéndose de esta red cultural de personas que han ido enriqueciendo su visión artística. Por ello, en esta investigación, se ha emprendido un análisis pormenorizado de su entorno y de las principales figuras que lo han ido conformando a lo largo del tiempo. Para ello, el trabajo de campo desde la perspectiva etnomusicológica ha sido esencial: la asistencia a conciertos y la realización de entrevistas a los individuos implicados han sido la clave para valorar su impacto en la trayectoria dela artista. Así mismo, se ha tratado de realizar una aproximación al análisis de su música, con el ánimo de desgranar su técnica vocal y sus recursos melódico-armónicos más usuales.
The present Ph.D. thesis addresses the study of singer songwriter Rosalia and her formative-creative context. Her interdisciplinary training and the diverse artists that have mediated in her outcome as an artist have fomented, in one way or another, the creation of a certainly peculiar musical identity. Rosalia has generated her own space in the music industry nurturing herself from this cultural net of people that have gradually enriched her artistic vision. Hence, in this investigation, a detailed analysis of her surroundings and of the key agents that have generated it through time has been conducted. For that end, the field work from an ethnomusicological perspective has been essential: attendance to concerts and conducting interviews to the individuals involved have been key factors to value the impact of the artist trajectory. In addition, the attempt to approach the musical analysis of her songs has been done with the aim to thresh her vocal technique and describe her most emblematic melodic and harmonic resources.
The present Ph.D. thesis addresses the study of singer songwriter Rosalia and her formative-creative context. Her interdisciplinary training and the diverse artists that have mediated in her outcome as an artist have fomented, in one way or another, the creation of a certainly peculiar musical identity. Rosalia has generated her own space in the music industry nurturing herself from this cultural net of people that have gradually enriched her artistic vision. Hence, in this investigation, a detailed analysis of her surroundings and of the key agents that have generated it through time has been conducted. For that end, the field work from an ethnomusicological perspective has been essential: attendance to concerts and conducting interviews to the individuals involved have been key factors to value the impact of the artist trajectory. In addition, the attempt to approach the musical analysis of her songs has been done with the aim to thresh her vocal technique and describe her most emblematic melodic and harmonic resources.
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, leída el 15-04-2024