“Don Nadie”, autor de la obra de Eduardo Scala : etapas y fuentes místicas de una poética de desaparición
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2020
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Ediciones Universidad de Valladolid
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Helgueta Manso, J. (2020). “Don Nadie”, autor de la obra de Eduardo Scala. Etapas y fuentes místicas de la poética de desaparición scaliana. Castilla. Estudios De Literatura, (11), 361–380. https://doi.org/10.24197/cel.11.2020.361-380
Abstract
RESUMEN : En este artículo se analiza un caso singular en la poesía española reciente: la poética de la desaparición de Eduardo Scala. En contra del encumbramiento del autor en el campo literario,Scala lleva a cabo un proceso de auto-borrado en dos fases. En primer lugar, quema toda su obra anterior y se renombra a sí mismo “Don Nadie” para lograr un proyecto místico de desidentificación. Mediante esta clausura, puede tener lugar la siguiente etapa: un “nuevo nacimiento” que propicia la apertura de la poesía. La producción scaliana comienza en la posmodernidad literaria española, tiene en cuenta las propuestas artísticas negativas de Marcel
Duchamp o John Cage y conoce la filosofía de Roland Barthes y su texto La muerte del autor. Sin embargo, las principales fuentes de Scala se encuentran en la tradición mística; especialmente, son esenciales dos conceptos: la «renuncia» y la «nada». Para complementar la explicación de esta ascestética, se empleará un enfoque desde la Sociología de la Literatura
ABSTRACT : : In the present paper, a unique case in the recent Spanish poetry is analysed: the poetics of disappearance of Eduardo Scala. Against the author’s rise in the literary field, Scala carries out a self-annihilation process in two phases. First, he burns all his previous work and renames himself as “Mr. Nobody” to achieve a mystical de-identification endeavour. Through to this closure, it is possible the next stage: a “new birth” that causes the opening of the poetry. Scala’s production begins in the Spanish Literary Postmodernity. He has valued the negative artistic proposals of Marcel Duchamp or John Cage and he knows the philosophy of Roland Barthes and his text The Dead of Author. However, the main sources of Scala are found in the mystical tradition; specially, two concepts are essential: “resignation” and “nothingness”. To complete the explanation of this ascesthetic, a sociological approach to literature will be used.
ABSTRACT : : In the present paper, a unique case in the recent Spanish poetry is analysed: the poetics of disappearance of Eduardo Scala. Against the author’s rise in the literary field, Scala carries out a self-annihilation process in two phases. First, he burns all his previous work and renames himself as “Mr. Nobody” to achieve a mystical de-identification endeavour. Through to this closure, it is possible the next stage: a “new birth” that causes the opening of the poetry. Scala’s production begins in the Spanish Literary Postmodernity. He has valued the negative artistic proposals of Marcel Duchamp or John Cage and he knows the philosophy of Roland Barthes and his text The Dead of Author. However, the main sources of Scala are found in the mystical tradition; specially, two concepts are essential: “resignation” and “nothingness”. To complete the explanation of this ascesthetic, a sociological approach to literature will be used.