“El mar nos une”: imaginarios geopolíticos y frontera marítima en el diferendo Bolivia-Chile
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2022
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Universitat de Barcelona, Servei d'Informació i Publicacions
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Lois, María. «“El Mar nos Une”: imaginarios geopolíticos y frontera marítima en el diferendo Bolivia-Chile». Scripta Nova. Revista Electrónica de Geografía y Ciencias Sociales, vol. 26, n.o 1, abril de 2022. DOI.org (Crossref), https://doi.org/10.1344/sn2022.26.34409.
Abstract
Este artículo propone un acercamiento a los imaginarios geopolíticos surgidos en el contexto de la demanda jurídica presentada por Bolivia en la Corte Internacional de La Haya en 2013, resuelta en 2018. Desde un análisis crítico de discurso, este trabajo intentará mostrar como el tiempo legal, el tiempo de la demanda, abre un horizonte de diferentes planos de producción de representaciones en torno al mar y su recuperación como referente para la política exterior boliviana. En términos de materiales, se trabajará con textos y registros visuales publicados tanto por instituciones oficiales (ministerio de Justicia y Transparencia Institucional, Procuraduría General del Estado, etc.), como por actores no institucionales (artistas), así como con prácticas espaciales (el “banderazo”) con el propósito de mostrar la amplia y diversa imaginación geopolítica ligada a la demanda de un “Mar para Bolivia”.
This article proposes an approach to the geopolitical imagination that arose in the context of the legal claim presented by Bolivia in the International Court of The Hague in 2013, resolved in 2018. From a critical discourse analysis, this work will try to underline how legal time, the time of demand, opens a horizon of different planes of production of representations around the sea and its recuperation as a reference for Bolivian foreign policy. In terms of materials, texts and visual records published both by official institutions (Ministry of Justice and Institutional Transparency, State Attorney General's Office, etc.), and by non-institutional actors (artists), as well as spatial practices (the “Banderazo”) will be analyzed aiming to show the wide and diverse geopolitical imagination linked to the demand for a “Mar para Bolivia” [Sea for Bolivia].
This article proposes an approach to the geopolitical imagination that arose in the context of the legal claim presented by Bolivia in the International Court of The Hague in 2013, resolved in 2018. From a critical discourse analysis, this work will try to underline how legal time, the time of demand, opens a horizon of different planes of production of representations around the sea and its recuperation as a reference for Bolivian foreign policy. In terms of materials, texts and visual records published both by official institutions (Ministry of Justice and Institutional Transparency, State Attorney General's Office, etc.), and by non-institutional actors (artists), as well as spatial practices (the “Banderazo”) will be analyzed aiming to show the wide and diverse geopolitical imagination linked to the demand for a “Mar para Bolivia” [Sea for Bolivia].