El lenguaje de las teleseries y sus aportaciones culturales
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Publication date
2013
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Publisher
Universidad Pontificia Comillas
Citation
Moreno, Fernando Ángel. «El lenguaje de las teleseries y sus aportaciones culturales». Razón y fe, vol. 267, n.º 1374, 2018, pp. 341-51. revistas.comillas.edu, https://revistas.comillas.edu/index.php/razonyfe/article/view/10022.
Abstract
RESUMEN:
Las grandes películas y series de televisión parecen haber perdido actualidad y protagonismo en beneficio de las miniseries. En este nuevo campo los anglosajones vuelven a llevarse la palma. En producciones, cuya duración no pasan nunca de los cincuenta minutos, el espectador es introducido de modo inteligente y entretenido en multitud de circunstancias ajenas para acabar mirando y contemplando su propia vida. Problemas de orden práctico, y sobre todo cuestiones éticas y morales, constituyen la trama de la nueva cultura del entretenimiento.
ABSTRACT: Big films and TV series seem to be no longer powerful and updated in comparison to mini-series. In this new field the Anglo-Saxons have won once again. These productions, whose duration is always less than 50 minutes, introduce the spectator, in an intelligent and entertaining way, into lots of strange circumstances only to end up seeing his or her own life. The plot of the new entertainment culture is based on practical problems and especially ethic and moral issues.
ABSTRACT: Big films and TV series seem to be no longer powerful and updated in comparison to mini-series. In this new field the Anglo-Saxons have won once again. These productions, whose duration is always less than 50 minutes, introduce the spectator, in an intelligent and entertaining way, into lots of strange circumstances only to end up seeing his or her own life. The plot of the new entertainment culture is based on practical problems and especially ethic and moral issues.