Publication: La luz en la activación de la memoria de arquitecturas desaparecidas : estudio de dispositivos artísticos para su reconstrucción
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2024-01-10
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Universidad Complutense de Madrid
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Abstract
A lo largo de mi investigación artística siempre he reconstruido la memoria de arquitecturas que se han perdido. Trabajo con conceptos como el espacio, la luz, el tiempo y la memoria. Me interesa la luz natural como elemento que nos habla del paso del tiempo y nos conecta con los movimientos del universo como la rotación de la Tierra. Por ello, es a través de la recreación de las atmósferas de luz de los edificios que ya no existen como me acerco a la reconstrucción de su memoria. Esta investigación propone como objetivo principal el estudio de dispositivos artísticos de afectación emocional donde los conceptos con los que trabajo citados anteriormente se relacionan para reconstruir las atmósferas de luz de edificios que ya no existen y así activar su memoria. La hipótesis plantea que las tecnologías 3D son idóneas para construir dispositivos artísticos que reconstruyen la memoria de arquitecturas desaparecidas. A través de una metodología basada en la investigación artística propia se analizan cinco estudios de casos: Resistencias, Memoria de un espacio, Villa Betania, El mercado de Olavide y La pagoda de Fisac. Estos, a su vez, dialogan mediante una metodología de análisis comparativo, con distintos análisis teóricos que han servido para contextualizar este estudio y como acercamiento a la relación entre la memoria y la arquitectura, aspecto fundamental de esta tesis...
The present thesis is entitled The light in the activation of the memory of disappeared architectures. A study of artistic devices for its reconstruction. Throughout my artistic research I have always been interested in reconstructing the memory of architectures that have been lost. I work with concepts such as space, light, time and memory. I am interested in natural light as an element that tells us about the passage of time and connects us with the movements of the universe via the Earths rotation. Therefore, it is through the recreation of the light atmospheres of buildings that no longer exist that I approach the reconstruction of their memory. The main objective of e is the study of artistic devices of emotional affects where the concepts I work with, and mentioned above, reconstruct the light atmospheres of buildings that no longer exist in order to activate their memory. The hypothesis is that 3D technologies are suitable for constructing artistic devices that reconstruct the memory of disappeared architectures. Using a methodology based on artistic research, five case studies are analyzed: Resistencias, Memoria de un espacio, Villa Betania, El mercado de Olavide and La pagoda de Fisac. These, in turn, create a dialogue, through a methodology of comparative analysis, with different theorists who have served to contextualize this study and as a theoretical approach to the relationship between memory and architecture, a fundamental aspect of this thesis...
The present thesis is entitled The light in the activation of the memory of disappeared architectures. A study of artistic devices for its reconstruction. Throughout my artistic research I have always been interested in reconstructing the memory of architectures that have been lost. I work with concepts such as space, light, time and memory. I am interested in natural light as an element that tells us about the passage of time and connects us with the movements of the universe via the Earths rotation. Therefore, it is through the recreation of the light atmospheres of buildings that no longer exist that I approach the reconstruction of their memory. The main objective of e is the study of artistic devices of emotional affects where the concepts I work with, and mentioned above, reconstruct the light atmospheres of buildings that no longer exist in order to activate their memory. The hypothesis is that 3D technologies are suitable for constructing artistic devices that reconstruct the memory of disappeared architectures. Using a methodology based on artistic research, five case studies are analyzed: Resistencias, Memoria de un espacio, Villa Betania, El mercado de Olavide and La pagoda de Fisac. These, in turn, create a dialogue, through a methodology of comparative analysis, with different theorists who have served to contextualize this study and as a theoretical approach to the relationship between memory and architecture, a fundamental aspect of this thesis...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 20-06-2023