Electronic literary creation: dialogues through cultural recycling

dc.contributor.authorSánchez Gómez, Laura
dc.date.accessioned2026-02-24T09:04:03Z
dc.date.available2026-02-24T09:04:03Z
dc.date.issued2024-07
dc.descriptionThis version of the article has been accepted for publication, after peer review, but is not the version of record and does not reflect post-acceptance improvements or any corrections. Agencias de financiación: This work has been carried out as part of the Research Project RECLIT. Cultural recycling: Transliteratures in the postdigital era (Reference: RTI2018- 094607-B-I00), financed by the ERDF/Ministry of Science and Innovation - State Research Agency. Proyectos de investigación: FECYT -- REC-LIT: RECICLAJES CULTURALES: TRANSLITERATURAS EN LA ERA POST... This version of the article has been accepted for publication, after peer review, but is not the version of record and does not reflect post-acceptance improvements or any corrections. The version of record is available online at: https://rdcu.be/e5iii [https://doi.org/10.1007/s11059-024-00749-6]. Use of this accepted manuscript is subject to the publisher’s accepted manuscript terms of use, available at https://www.springernature.com/gp/open-research/policies/accepted-manuscript-terms. Referencias bibliográficas: • J. Adema E. Navas O. Gallagher X. Burrough Cut-up Keywords in remix studies Routledge 104 114 • A. Bernard Theory of the hashtag Polity Press • N. Bourriaud Postproduction: Culture as screenplay: how art reprograms the world Lukas & Sternberg • J.L. Brea Transformaciones contemporáneas de la imagen-movimiento: postfotografía, postcinema, postmedia Acción Paralela 5 1 11 • V. Campanelli E. Navas O. Gallagher X. Burrough Toward a remix culture. An existential perspective The Routledge companion to remix studies Routledge 68 82 • J. Cheney-Lippold We are data: algorithms and the making of our digital selves New York University Press • Domínguez Leiva, A. (2014). YouTube théorie: Un vertige néo-baroque. Les éditions de ta mère • J. 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Creating value and meaning in a networked culture New York University Press • V. Khun The rhetoric of remix Transformative Works and Cultures 10.3983/twc.2012.0358 • Losh, E. M. (2019). Speech acts without speech: hashtag theory and electronic literature. In ELO2019: Electronic Literature Organization Conference & Media Arts Festival, programme and book of abstracts (pp. 97–98). Cork: ELO International Conference. • L. Manovich Database as symbolic form Convergence: the International Journal of Research into New Media Technologies 5 2 80 99 10.1177/135485659900500206 • L. Manovich The language of new media. Leonardo MIT Press • L. Manovich Software takes command Bloomsbury Academic 10.5040/9781472544988 • L. Manovich E. Navas O. Gallagher X. Burrough Remix strategies in social media The Routledge companion to remix studies Routledge 135 153 • J. Martín Prada Prácticas artísticas e internet en la época de las redes sociales Walsall • A.I. Miller The artist in the machine: The world of the all-power creativity The MIT Press 10.7551/mitpress/11585.001.0001 • E. Navas Remix theory Springer-Verlag 10.1007/978-3-7091-1263-2 • E. Navas O. Gallagher X. Borrough Keywords in remix studies Routledge • M. Olson Arte postinternet Cocom Press • E. Pariser The filter bubble Penguin Press • S. Reynolds Retromania: Pop culture’s addiction to its own past Faber & Faber • J.M. Ruiz Martínez A rhetorical approach to internet memes Signa: Revista De La Asociación Española De Semiótica 27 995 1021 10.5944/signa.vol27.2018.21856 • Sanz, A. (2018). Para un comparatismo digital necesario: del relato al dato, del dato al relato. In Nuevos horizontes de la literatura comparada (vol. 1): Comparatismo digital [New horizons of comparative literature, vol. 1, Digital comparatism] (pp. 33–40). SELGYC. Retrieved from http://www.selgyc.com/images/docs/02_sanz.pdf • A. Saum-Pascual Is third generation literature postweb literature ? And why should we care ? Electronic Book Review 10.7273/60pg-1574 • C. Scolari Hypermediations: Elements for a theory of interactive digital communication Gedisa • J. van Dijck The culture of connectivity: a critical history of social media Oxford University Press 10.1093/acprof:oso/9780199970773.001.0001
dc.description.abstractThis article analyzes digital recycling as a cultural strategy through which it is possible to recognize the dialogue between popular digital culture and the most avant-garde electronic creation. Due to its experimental nature, electronic creation provides conceptual and aesthetic strategies to understand and analyze digital cultural processes. This work analyzes the processes in which recycling becomes a protagonist. The strategy of cultural recycling is not novel. It proposes a reconfiguration of the viewer's gaze in front of the work that starts from the historical avant-garde and has a critical intention towards the concept of authorship, the canon, and originality of creative processes. Nevertheless, through the study of the characteristics of the digital ecosystem, we show how the practice of recycling changes considerably, acquiring great prominence and becoming a defining feature of digital cultural behavior today through the naturalization and automation of its processes.
dc.description.departmentDepto. de Didáctica de las Lenguas, Artes y Educación Física
dc.description.facultyFac. de Educación
dc.description.refereedTRUE
dc.description.sponsorshipERDF/Ministry of Science and Innovation - State Research Agency
dc.description.statuspub
dc.identifier.citationGómez, L. S. (2024). Electronic literary creation: dialogues through cultural recycling. Neohelicon, 51(2), 561-578. https://doi.org/10.1007/S11059-024-00749-6
dc.identifier.doi10.1007/s11059-024-00749-6
dc.identifier.essn1588-2810
dc.identifier.issn0324-4652
dc.identifier.officialurlhttps://doi.org/10.1007/s11059-024-00749-6
dc.identifier.relatedurlhttps://produccioncientifica.ucm.es/documentos/680e72e0611b80261167ec0e
dc.identifier.relatedurlhttps://www.scopus.com/pages/publications/85197384600
dc.identifier.relatedurlhttps://www.webofscience.com/wos/woscc/full-record/WOS:001260427500001
dc.identifier.relatedurlhttps://link.springer.com/article/10.1007/s11059-024-00749-6
dc.identifier.urihttps://hdl.handle.net/20.500.14352/132986
dc.journal.titleNeohelicon
dc.language.isoeng
dc.page.final578
dc.page.initial561
dc.publisherSpringer
dc.relation.projectIDRTI2018-094607
dc.relation.projectIDRTI2018- 094607-B-I00
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject.cdu371:004.738.5
dc.subject.cdu004.738.5:371
dc.subject.cdu009
dc.subject.cdu82
dc.subject.cdu008
dc.subject.cdu004.738.5
dc.subject.cdu37.012
dc.subject.keywordHumanidades Digitales
dc.subject.keywordLiteratura digital
dc.subject.keywordElectronic Literature
dc.subject.keywordDigital Literature
dc.subject.keywordRemix
dc.subject.keywordCultural recycling
dc.subject.keywordPostproduction
dc.subject.keywordPostdigital
dc.subject.ucmLiteratura
dc.subject.ucmInternet (Ciencias de la Información)
dc.subject.ucmCreación artística
dc.subject.ucmEnseñanza de la lengua y la literatura
dc.subject.ucmMétodos de investigación en educación
dc.subject.unesco6202 Teoría, Análisis y Crítica Literarias
dc.subject.unesco5101 Antropología Cultural
dc.subject.unesco6202.03 Estilo y Estética Literarios
dc.subject.unesco5801 Teoría y Métodos Educativos
dc.titleElectronic literary creation: dialogues through cultural recycling
dc.typejournal article
dc.type.hasVersionAM
dc.volume.number51
dspace.entity.typePublication
relation.isAuthorOfPublication74112a32-515e-4378-839a-fddcd207524e
relation.isAuthorOfPublication.latestForDiscovery74112a32-515e-4378-839a-fddcd207524e

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