Narratología porno: una lectura semiótica de tras la puerta verde
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2017
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Plataforma Latina de revistas de comunicación
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Abstract
La narrativa del cine pornográfico ha sido objeto de muchas polémicas y en algunos casos de estudio, pero asumiendo generalmente que el argumento o trama del film era el contenedor de todo el relato, subestimando la narratividad de la esencia propia del porno: las escenas de sexo explícito. En los textos pornográficos el argumento no suele ser un fin en sí mismo, sino una herramienta de carácter más o menos funcional, o incluso paródico, y son las escenas de sexo las que constituyen el núcleo del relato, tan narrativas como una escena de baile en un musical. El porno actual hace tiempo que dejó de ser “cine” y prescinde cada vez más del argumento convencional, por lo que planteamos esta base teórica que prioriza la forma sobre el contenido, y propone herramientas que sirvan para analizar la narrativa de las escenas sexuales explícitas de un largometraje o de un video breve de Internet.
The narrative of film pornography has been the subject of many controversies and in some cases academic studies, but generally assuming that the plot of the film was the container of the whole story, underestimating the narrative capabilities of the true essence of porn: the scenes of explicit sex. Usually, in the pornography text the plot is not a goal unto itself, but a tool more or less functional, or even the subject of a parody, and it is the sex scenes that constitute the nucleus of the narrative, as a dance number in a musical. The current pornography has long ceased to be "cinema" and it increasingly ignores the conventional plot, so we propose this theoretical basis that prioritizes form and structure over plot, and proposes tools that help us to analyze the narrative of explicit sexual scenes either of a feature film or a brief video of Internet.
The narrative of film pornography has been the subject of many controversies and in some cases academic studies, but generally assuming that the plot of the film was the container of the whole story, underestimating the narrative capabilities of the true essence of porn: the scenes of explicit sex. Usually, in the pornography text the plot is not a goal unto itself, but a tool more or less functional, or even the subject of a parody, and it is the sex scenes that constitute the nucleus of the narrative, as a dance number in a musical. The current pornography has long ceased to be "cinema" and it increasingly ignores the conventional plot, so we propose this theoretical basis that prioritizes form and structure over plot, and proposes tools that help us to analyze the narrative of explicit sexual scenes either of a feature film or a brief video of Internet.