Propaganda, identidad, ideología y perspectiva en la escena de batalla del sarcófago de Portonaccio
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2011
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Abstract
El sarcófago de Portonaccio, perteneciente al género de los sarcófagos de batalla, ha llamado la atención de muchos estudiosos pero se ha incidido más en su punto de vista artístico.
El objetivo de este artículo es poner de manifiesto algunas teorías con respecto al personaje principal e intentar sacar conclusiones con respecto a los numerosos elementos que lo componen, así como incidir en su valor como elemento ideológico, propagandístico e identitario.
The sarcophagus of Portonaccio is included in battles sarcophagus genre. It has been studied by many scholars, but mostly from an artistic point of view. The aim of this article is to show some theories about the main character and try to draw conclusions with all the elements. As well as to find in this entries its paper as an ideological, propagandistic and identitary instrument.
The sarcophagus of Portonaccio is included in battles sarcophagus genre. It has been studied by many scholars, but mostly from an artistic point of view. The aim of this article is to show some theories about the main character and try to draw conclusions with all the elements. As well as to find in this entries its paper as an ideological, propagandistic and identitary instrument.