Análisis de las paremias de carácter popular en "La colmena" de Camilo José Cela
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2024
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Univerzita Palackého v Olomouci
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Sevilla Muñoz, Julia. "Paremiological analysis in La colmena by Camilo José Cela." Romanica Olomucensia 36.1 (2024): 61-78. Print. DOI: 10.5507/ro.2024.005
Abstract
RESUMEN: Las paremias o enunciados breves y sentenciosos figuran tanto en el discurso hablado como en el escrito, en particular en los textos literarios. Por eso, los textos literarios son una de las principales vías para el estudio de las paremias.
En este trabajo se muestra una propuesta metodológica para estudiar las paremias en el contexto literario centrada en la compleja naturaleza de estas unidades lingüísticas. La aplicación de varios criterios (lingüístico, cronológico y literario) lleva a elegir como objeto de estudio una obra escrita en lengua española por Camilo José Cela a mediados del siglo XX; se trata de la novela "La colmena". La investigación realizada permitirá averiguar las paremias seleccionadas por Cela y las categorías parémicas en las que se enmarcan, además de los personajes que las han empleado, las fórmulas de inserción de las mismas y la función que cumplen. Los resultados obtenidos permitirán profundizar en el lenguaje que Camilo José Cela utiliza en "La colmena".
En las conclusiones se comprobará la utilidad de la metodología aplicada, por un lado, para llevar a cabo un análisis de las paremias en el discurso escrito, concretamente el literario; por otro, se comprobará si el recurso a las paremias ha servido para marcar la tendencia hacia una narrativa realista, como pretende Cela con esta obra.
ABSTRACT: Paremias or short sententious statements appear in both spoken and written discourse, especially in literary texts. Therefore, this text typology is one of the main sources for the study of these units. This research presents a methodological proposal for the study of paremias in literary contexts, focusing on the complex nature of these linguistic units. The application of various criteria (linguistic, chronological, and literary) leads the author to choose as the object of study a novel written in Spanish by Camilo José Cela in the mid-20th century, "La colmena" (The Hive). This research will make it possible to find out the paremias selected by Cela and the paremic categories in which they are framed, as well as the characters who used them, the formulas for their insertion, and the function they fulfil. The results obtained will allow the language used by Camilo José Cela in "La colmena" to be analysed in depth. In the conclusions, the usefulness of the methodology that is applied will firstly be verified to carry out an analysis of paremias in written discourse, more specifically in literary discourse, and secondly to verify whether the use of paremias serves to mark the tendency towards a realist narrative, as Cela intends in this novel.
ABSTRACT: Paremias or short sententious statements appear in both spoken and written discourse, especially in literary texts. Therefore, this text typology is one of the main sources for the study of these units. This research presents a methodological proposal for the study of paremias in literary contexts, focusing on the complex nature of these linguistic units. The application of various criteria (linguistic, chronological, and literary) leads the author to choose as the object of study a novel written in Spanish by Camilo José Cela in the mid-20th century, "La colmena" (The Hive). This research will make it possible to find out the paremias selected by Cela and the paremic categories in which they are framed, as well as the characters who used them, the formulas for their insertion, and the function they fulfil. The results obtained will allow the language used by Camilo José Cela in "La colmena" to be analysed in depth. In the conclusions, the usefulness of the methodology that is applied will firstly be verified to carry out an analysis of paremias in written discourse, more specifically in literary discourse, and secondly to verify whether the use of paremias serves to mark the tendency towards a realist narrative, as Cela intends in this novel.