Imágenes e identidades híbridas en la tecnocultura y en el arte contemporáneo. Influencias y paralelismos entre Web 1.0, Web 2.0 y Web 3.0
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2024
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13/05/2024
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Universidad Complutense de Madrid
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Abstract
Esta investigación elabora un paralelismo sobre el desarrollo de las representaciones visuales híbridas y de las prácticas artísticas vinculadas a los nuevos medios y a las tecnologías de la imagen. Se analiza el impacto sociocultural que suponen, en convivencia con un nuevo concepto de posmemoria. Un periodo definido y mediado por la cultura de las pantallas. La investigación presenta las influencias entre lastres etapas digitales: Web 1.0, Web 2.0 y Web 3.0.El contexto sociocultural globalizado e hiperconectado conforma un escenario donde afloran nuevas formas de vida, que coexisten entre lo online y lo offline. Se estudia la cultura visual y la estética dela imagen en relación a las nuevas formas de producción, de comunicación y de interacción con las prácticas artísticas contemporáneas...
This research elaborates a parallelism about the development of hybrid visual representations in artistic practices linked to the new media and image technology. It analyses the socio-cultural impact they have,in cohabitation with the new concept of post-memory. A period defined and mediated by the culture of screens. The research presents the influences between the three digital stages: Web 1.0, Web 2.0and Web 3.0.The socio-cultural, globalised and hyper-connected context confirms a landscape where new forms of life bloom and coexist between online and offline. The visual culture and the aesthetics of image have been studied in relation to new forms of production, communication and interaction with contemporary artistic practice...
This research elaborates a parallelism about the development of hybrid visual representations in artistic practices linked to the new media and image technology. It analyses the socio-cultural impact they have,in cohabitation with the new concept of post-memory. A period defined and mediated by the culture of screens. The research presents the influences between the three digital stages: Web 1.0, Web 2.0and Web 3.0.The socio-cultural, globalised and hyper-connected context confirms a landscape where new forms of life bloom and coexist between online and offline. The visual culture and the aesthetics of image have been studied in relation to new forms of production, communication and interaction with contemporary artistic practice...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 13-05-2024