El relato televisivo sobre ETA después del cese de la violencia. Ficción, docuseries y reportajes documentales (2019-2020)
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2024
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Universidad de Piura
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Mateos-Pérez, J., & Marcos-Ramos, M. (2024). El relato televisivo sobre ETA después del cese de la violencia. Ficción, docuseries y reportajes documentales (2019-2020) . Revista De Comunicación, 23(1), 331-361. https://doi.org/10.26441/RC23.1-2024-3386
Abstract
Durante la temporada 2019-2020 se emitieron en España seis programas de televisión sobre ETA. El objetivo de esta investigación es analizar el relato “televisivo” que se ha construido sobre la banda terrorista casi diez años después del cese de la violencia. Para ello se utiliza una metodología cualitativa basada en el análisis textual por tratarse de formatos independientes. Las conclusiones muestran un nuevo relato donde coincide la recuperación de determinados hechos históricos y el protagonismo ostensible de las víctimas. El resultado es un discurso renovado que construye memoria colectiva para aprender y avanzar en aras de la convivencia y la reconciliación.
During the 2019-2020 season, six television programs about ETA were broadcasted in Spain. The aim of this research is to analyze the “television” story that has been built about the terrorist group ten years after the cessation of violence. For this purpose, a qualitative methodology based on textual analysis is used, since these are independent formats. The conclusions show a new narrative in which the recovery of certain historical facts and the ostensible protagonism of the victims coincide. The result is a renewed discourse that builds collective memory to learn and advance towards coexistence and reconciliation.
During the 2019-2020 season, six television programs about ETA were broadcasted in Spain. The aim of this research is to analyze the “television” story that has been built about the terrorist group ten years after the cessation of violence. For this purpose, a qualitative methodology based on textual analysis is used, since these are independent formats. The conclusions show a new narrative in which the recovery of certain historical facts and the ostensible protagonism of the victims coincide. The result is a renewed discourse that builds collective memory to learn and advance towards coexistence and reconciliation.













