Lope de Vega y la reinterpretación de la perícopa de la mujer adúltera : consideraciones en torno al auto sacramental de «La adúltera perdonada»
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2023
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Instituto de Estudios Auriseculares (IDEA)
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Abstract
RESUMEN: Este artículo presenta un análisis completo del auto sacramental firmado por Lope de Vega, «La adúltera perdonada» (c. 1608-1612). Este estudio se ha llevado a cabo desde diferentes perspectivas y, para tal fin, se ha atendido a las distintas partes que participan de la construcción del texto dramático. Se han recuperado y completado diversos análisis sobre aspectos específicos del auto, como el papel de la música (Alín, 1983 y Flórez Asensio, 2012), las reminiscencias a romances y canciones tradicionales (Nogués Bruno, 2017) o el problema del honor (Duarte, 2017). La utilidad de este trabajo radica en su carácter global, pues abunda en aspectos menos atendidos, como las similitudes y diferencias entre el auto de Lope de Vega y su fuente principal, la perícopa bíblica del «Evangelio» juanista —texto polémico y desprestigiado por diversos autores— o la caracterización de sus interlocutores. Asimismo, ofrece una original reflexión sobre una cuestión aún inédita, la moralidad del comportamiento final de la protagonista y la importancia de la absolución de la adúltera en ambos textos.
ABSTRACT: This article presents a complete analysis of the auto sacramental signed by Lope de Vega and entitled «La adúltera perdonada» (c. 1608-1612). This study has been developed from different angles and, to this end, attention has been focused on the different parts that are involved in the construction of the dramatic text. Various analyses of specific aspects present in the auto have been recovered and completed, such as the importance of music (Alín, 1983 and Flórez Asensio, 2012), the reminiscences of traditional romances and songs (Nogués Bruno, 2017) or the problem of honour (Duarte, 2017). The usefulness of this work lies in its global character, as it explores aspects that have received less attention, for example, the similarities and differences between Lope de Vegaʼs auto and its main source, the biblical pericope of the «Gospel of John» —a controversial text that has been discredited by various authors— or the characterisation of their interlocutors. It has also offered an innovative exploration of an as yet unprecedented question, the morality of the protagonistʼs final behaviour and the importance of the adulteressʼs absolution in both texts.
ABSTRACT: This article presents a complete analysis of the auto sacramental signed by Lope de Vega and entitled «La adúltera perdonada» (c. 1608-1612). This study has been developed from different angles and, to this end, attention has been focused on the different parts that are involved in the construction of the dramatic text. Various analyses of specific aspects present in the auto have been recovered and completed, such as the importance of music (Alín, 1983 and Flórez Asensio, 2012), the reminiscences of traditional romances and songs (Nogués Bruno, 2017) or the problem of honour (Duarte, 2017). The usefulness of this work lies in its global character, as it explores aspects that have received less attention, for example, the similarities and differences between Lope de Vegaʼs auto and its main source, the biblical pericope of the «Gospel of John» —a controversial text that has been discredited by various authors— or the characterisation of their interlocutors. It has also offered an innovative exploration of an as yet unprecedented question, the morality of the protagonistʼs final behaviour and the importance of the adulteressʼs absolution in both texts.