«A voz das mulheres perigosa e burra»: um estudo sobre «O remorso de baltazar serapião»
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2015
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Ediciones Universidad de Salamanca : Sociedad Española de Literatura General y Comparada
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Gonçalves Soares, Ana Rita. «“A voz das mulheres perigosa e burra”: um estudo sobre “O remorso de baltazar serapião”». 1616: Anuario de Literatura Comparada, vol. 5, 2015, pp. 269-279, https://revistas.usal.es/dos/index.php/1616_Anuario_Literatura_Comp/article/view/14049
Abstract
RESUMEN: A través de una metodología cualitativa que incluye la aplicación de las propuestas teóricas más relevantes a la narrativa y el análisis comparativo y específico del «corpus» literario, este estudio tiene como objetivo analizar las funciones del medievalismo y la representación de la Edad Media en la obra «O remorso de Baltazar Serapião» (2006) de Valter Hugo Mãe. Destacando el tema central de la novela –la representación de las mujeres– este artículo presenta algunas consideraciones sobre el uso de modelos medievales como estrategia de confrontación comparativa/crítica entre el tiempo proyectado en la novela y la actualidad.
ABSTRACT: Using a qualitative research methodology that includes the application of the most relevant theoretical proposals to the narrative, and the comparative and specific analysis of the literary «corpus», this study aims at analysing the functions of medievalism and the representation of the Middle Ages in Valter Hugo Mãe’s «O remorso de Baltazar Serapião» (2006). Highlighting the central theme of the novel –the representation of women– this article presents some considerations about the use of medieval models as a comparative/critical confrontation strategy between the time projected in the story and the present.
ABSTRACT: Using a qualitative research methodology that includes the application of the most relevant theoretical proposals to the narrative, and the comparative and specific analysis of the literary «corpus», this study aims at analysing the functions of medievalism and the representation of the Middle Ages in Valter Hugo Mãe’s «O remorso de Baltazar Serapião» (2006). Highlighting the central theme of the novel –the representation of women– this article presents some considerations about the use of medieval models as a comparative/critical confrontation strategy between the time projected in the story and the present.