La representación de la cortesía en la serie de televisión Sueño en el Pabellón Rojo (Wang Fulin, 1987)
Loading...
Download
Official URL
Full text at PDC
Publication date
2021
Defense date
15/07/2020
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citation
Abstract
La tesis doctoral —titulada La representación de la cortesía en la serie de televisión Sueño en el Pabellón Rojo (Wang Fulin, 1987)— responde el deseo de dar a conocer la cortesía en la cultura tradicional china estudiando una serie de televisión que adapta una novela clásica china del siglo XVIII. Tomamos la serie de televisión Sueño en el Pabellón Rojo de 1987 como objeto de estudio. Investigamos la producción de esta serie y la televisión china bajo el contexto social y cultural de la década de 1980 y estudiamos las teorías sobre la cortesía y sus distintas representaciones en esta serie de televisión, teniendo como referencia la sociedad feudal china del siglo XVIII. Analizamos la cortesía representada en los 36 episodios de la serie de televisión Sueño en el Pabellón Rojo para identificar las representaciones generales de la cortesía en el siglo XVIII de la antigua China. Tenemos en cuenta la novela Sueño en el Pabellón Rojo de Cao Xueqin, los estudios de la Rojología, la trayectoria del director Wang Fulin, el grupo de producción de la serie de televisión, entre otros...
The doctoral thesis —entitled The Representation of Courtesy in the Television Series Dream of the Red Chamber (Wang Fulin, 1987)— responds to the desire to publicize courtesy in traditional Chinese culture by studying a television series that adapts from a 18th century Chinese classic novel. We took the television series Dream of the Red Chamber of 1987 as an object of study. We investigated the production of this series and Chinese television under the social and cultural context of the 1980s and studied the theories about courtesy and its different representations in this television series, taking as a reference the 18th century Chinese feudal society. We analyzed the courtesy represented in the 36 episodes of the television series Dream of the Red Chamber to identify the general representations of courtesy in the 18th century of ancient China. We focused on the novel Dream of the Red Chamber of Cao Xueqin, the studies of the Redology, the trajectory of the director Wang Fulin, the production group of the television series, and many more..
The doctoral thesis —entitled The Representation of Courtesy in the Television Series Dream of the Red Chamber (Wang Fulin, 1987)— responds to the desire to publicize courtesy in traditional Chinese culture by studying a television series that adapts from a 18th century Chinese classic novel. We took the television series Dream of the Red Chamber of 1987 as an object of study. We investigated the production of this series and Chinese television under the social and cultural context of the 1980s and studied the theories about courtesy and its different representations in this television series, taking as a reference the 18th century Chinese feudal society. We analyzed the courtesy represented in the 36 episodes of the television series Dream of the Red Chamber to identify the general representations of courtesy in the 18th century of ancient China. We focused on the novel Dream of the Red Chamber of Cao Xueqin, the studies of the Redology, the trajectory of the director Wang Fulin, the production group of the television series, and many more..
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 15-07-2020