From the laboratory to the restorer studio. Practical inpaint applications with commercial colours of sythetic resins

dc.conference.date'19-20 Nov 2010'
dc.conference.placeTrento
dc.conference.titleAtti del Quinto Congresso Internazionale COLORE E CONSERVAZIONE: Materiali e metodi nel restauro delle opere policrome mobili
dc.contributor.authorSánchez Ortiz, María Alicia
dc.contributor.authorMicó Boró, Sandra
dc.contributor.editorCesmar7
dc.date.accessioned2026-04-23T15:13:07Z
dc.date.available2026-04-23T15:13:07Z
dc.date.issued2011
dc.description.abstractThe aim of this research is to evaluate the colour stability and solubility changes of some of the more frequently used materials that, nowadays, are available for restorers to carry out inpainting of missing areas during the conservation treatment. First of all, results obtained from subjecting the samples to artificial ageing are presented and, sedondly, the conclusions observed during the practical application of such materials on mock-ups are presented as well, in order to correlate the experimental data obteined in the laboratory to the real working conditions in conservation studios and provide information on technical characteristics and behaviour of such commercial products. The pictorial retouches on works of art are also included of those materials that better results were obtained in both the laborartory and practical application.
dc.description.departmentDepto. de Pintura y Conservación-Restauración
dc.description.facultyFac. de Bellas Artes
dc.description.refereedTRUE
dc.description.sponsorship'Santander-UCM'
dc.description.statuspub
dc.identifier.citation'Sánchez Ortiz, A., y Micó Boró, S. (2011). From the laboratory to the restorer studio. Practical inpaint applications with commercial colours of synthetic resins. En Le fasi finali nel restauro delle opere policrome mobili: Atti del Quinto Congresso Internazionale COLORE E CONSERVAZIONE: Materiale e metodi nel restauro delle opere policrome mobili (pp. 157-166). Il Prato'.
dc.identifier.isbn'978-88-6336-121-6'
dc.identifier.officialurl'https://www.cesmar7.org/congresso-colore-e-conservazione/'
dc.identifier.relatedurl'https://www.cesmar7.org/evento/cec-ed-2010/'
dc.identifier.urihttps://hdl.handle.net/20.500.14352/135015
dc.language.isoeng
dc.page.final166
dc.page.initial157
dc.relation.projectID'PR34/07-15863'
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject.cdu7.025.3
dc.subject.keywordCommercial colours
dc.subject.keywordSynthetic resins
dc.subject.keywordColour stability
dc.subject.keywordSolubility changes
dc.subject.keywordPictorial retouching
dc.subject.keywordColorimetric analysis
dc.subject.ucmConservación y restauración de obras de arte
dc.subject.unesco6203.07 Pintura
dc.titleFrom the laboratory to the restorer studio. Practical inpaint applications with commercial colours of sythetic resins
dc.typeconference paper
dc.type.hasVersionVoR
dspace.entity.typePublication
relation.isAuthorOfPublication416f11e8-011d-4771-b14d-bb89cce33ecf
relation.isAuthorOfPublication.latestForDiscovery416f11e8-011d-4771-b14d-bb89cce33ecf

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