Guilt, Psychological Well-Being and Religiosity in Contemporary Cinema
dc.contributor.author | Moreno Martín, Florentino | |
dc.contributor.author | Fernández Villanueva, Icíar | |
dc.contributor.author | Ayllón Alonso, Elena | |
dc.contributor.author | Medina Marina, José Ángel | |
dc.date.accessioned | 2023-06-22T11:15:48Z | |
dc.date.available | 2023-06-22T11:15:48Z | |
dc.date.issued | 2022-03-24 | |
dc.description.abstract | This study explains the change in meaning that psychology has given to the relationship between religiosity and psychological well-being since the beginning of the 20th century, dating it back to the deep change introduced by post-modernity. Guilt is interpreted as a paradigm of this change in meaning, and the reflection that the different ways of understanding guilt have had on the screen is analyzed. The Content Analysis of a sample of 94 films showed 5 modes of expression of guilt that can be placed on a continuum from the traditional Judeo-Christian model that serves as a benchmark—harm-repentance-penitence-forgiveness—to the removal of guilt as a requirement for self-realization. The other three models emerge between these two poles: the absence of guilt as a psychiatric pathology; the resignification of the guilty act for the reduction in dissonance; and idealized regret at no cost. Studying guilt-coping models of the films allows us to infer the hypothesis that a large part of the current positive view of religiosity in psychological well-being is related to a culture that does not demand psychological suffering as a requirement for a full experience of spirituality. | |
dc.description.department | Depto. de Psicología Social, del Trabajo y Diferencial | |
dc.description.faculty | Fac. de Psicología | |
dc.description.refereed | TRUE | |
dc.description.status | pub | |
dc.eprint.id | https://eprints.ucm.es/id/eprint/78258 | |
dc.identifier.doi | 10.3390/rel13040277 | |
dc.identifier.issn | 2077-1444 | |
dc.identifier.officialurl | https://doi.org/10.3390/rel13040277 | |
dc.identifier.relatedurl | https://www.mdpi.com/2077-1444/13/4/277 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14352/72261 | |
dc.issue.number | 4 | |
dc.journal.title | Religions | |
dc.language.iso | eng | |
dc.page.initial | 277 | |
dc.publisher | MPDI | |
dc.rights | Atribución 3.0 España | |
dc.rights.accessRights | open access | |
dc.rights.uri | https://creativecommons.org/licenses/by/3.0/es/ | |
dc.subject.keyword | Spirituality | |
dc.subject.keyword | Religiosity | |
dc.subject.keyword | Psychological well-being | |
dc.subject.keyword | Guilt | |
dc.subject.ucm | Psicología (Psicología) | |
dc.subject.ucm | Cine (Ciencias de la Información) | |
dc.subject.unesco | 61 Psicología | |
dc.subject.unesco | 3325.03 Cinematografía | |
dc.title | Guilt, Psychological Well-Being and Religiosity in Contemporary Cinema | |
dc.type | journal article | |
dc.volume.number | 13 | |
dspace.entity.type | Publication | |
relation.isAuthorOfPublication | e43502c6-454f-4a61-96af-4b0534122ee0 | |
relation.isAuthorOfPublication | 3e11e4bd-5f57-4c4e-9fc6-db9827252ec7 | |
relation.isAuthorOfPublication.latestForDiscovery | e43502c6-454f-4a61-96af-4b0534122ee0 |
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