Estrategias artísticas contemporáneas : pan, electrónica, cocina y sonido como re-significación de la experiencia espaciotemporal
Loading...
Download
Official URL
Full text at PDC
Publication date
2024
Defense date
04/03/2024
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citation
Abstract
Este proyecto se ha centrado en la relación de los lugares comunes que habitan la cocina, la comida, el sonido, el arte y la electrónica a través de la práctica artística. Trata de relacionar aspectos comunes en estos contextos aparentemente dispares, como son el tiempo, la materia, los procesos de fabricación y las acciones e interacciones del creador con materiales, dispositivos y espectadores o participantes. Se ha focalizado en la creación de situaciones, tratando de comprender los procesos que se ponen en marcha en este tipo de acciones performativas o de arte instalativo y objetual, así como las reacciones y comprensión de la audiencia ante formas y materiales poco habituales en el contexto del arte contemporáneo. En esta tesis se analiza y se evalúa tanto el proceso artístico de investigación desarrollado a lo largo de los últimos años, como los resultados obtenidos mediante la observación de la participación y el compromiso tanto de artistas como de la audiencia en las diferentes acciones y piezas realizadas. Otro elemento fundamental de este proceso que debemos de mencionar es la naturaleza efímera de los diferentes elementos–materiales utilizados y las obras generadas, así como las distintas posibilidades estéticas del trabajo realizado en torno a lo que se escucha y se consume...
This project has focused on the relationship between the common places inhabited by cooking, food, sound, art and electronics through artistic practice. It tries torelate common aspects in these apparently disparate contexts, such as time, matter, manufacturing processes and the actions and interactions of the creator with materials, devices and spectators or participants. It has focused on the creation of situations, trying to understand the processes that are set in motion in this type of performative actions or installation art, as well as the audience's reactions and understanding of unusual forms and materials in the context of contemporary art. This thesis analyses and evaluates both the artistic research process developed over the last few years and the results obtained by observing the participation and commitment of both artists and audiences in the different actions and pieces carried out. Another fundamental element of this process that should be mentioned is the ephemeral nature of the different elements-materials used and the works generated, as well as the different aesthetic possibilities of the work carried out around what is heard and consumed...
This project has focused on the relationship between the common places inhabited by cooking, food, sound, art and electronics through artistic practice. It tries torelate common aspects in these apparently disparate contexts, such as time, matter, manufacturing processes and the actions and interactions of the creator with materials, devices and spectators or participants. It has focused on the creation of situations, trying to understand the processes that are set in motion in this type of performative actions or installation art, as well as the audience's reactions and understanding of unusual forms and materials in the context of contemporary art. This thesis analyses and evaluates both the artistic research process developed over the last few years and the results obtained by observing the participation and commitment of both artists and audiences in the different actions and pieces carried out. Another fundamental element of this process that should be mentioned is the ephemeral nature of the different elements-materials used and the works generated, as well as the different aesthetic possibilities of the work carried out around what is heard and consumed...
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 04-03-2024