Música y cine posmoderno español: diálogos intertextuales, pliegues de la historia y paisajes sonoros
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2021
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17/12/2020
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Universidad Complutense de Madrid
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Abstract
El discurso audiovisual, el diálogo intertextual, el plegamiento de la historia y el paisaje sonoro son cuatro conceptos claves sobre los que se fundamenta la presente Tesis Doctoral. El contexto espaciotemporal en el que se enmarca es la cultura postmoderna española. El objeto es la música, y el sonido en general, en el cine español a partir de los años ochenta del siglo pasado. Se trata de un estudio audiovisual analizado desde la recepción, que aplica una metodología desde una perspectiva semiótica, de la música y el sonido en el medio cinematográfico a partir de un trabajo global e interdisciplinario que examina el objeto de estudio como un todo constituido por diferentes elementos en el que se destacan la importancia de las dinámicas y procesos que se producen...
This doctoral thesis is based on four key concepts, which are the audio-visual discourse, the intertextual dialogue, the story bending, and the soundscape. The time-space context of which the postmodern Spain History is part. The target is the music and sound in general in the Spanish cinema from the eighth decade of the last century.It is about an audio-visual study analysed from reception, where a methodology from a semiotic perspective is applied, as well as from the music and sound in the cinematographic means. This happens from a global and cross-discipline work, which examines the target studio as a whole made up of many elements in which the importance of the dynamics and processes are highlighted...
This doctoral thesis is based on four key concepts, which are the audio-visual discourse, the intertextual dialogue, the story bending, and the soundscape. The time-space context of which the postmodern Spain History is part. The target is the music and sound in general in the Spanish cinema from the eighth decade of the last century.It is about an audio-visual study analysed from reception, where a methodology from a semiotic perspective is applied, as well as from the music and sound in the cinematographic means. This happens from a global and cross-discipline work, which examines the target studio as a whole made up of many elements in which the importance of the dynamics and processes are highlighted...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, leída el 17-12-2020