Posicionamiento del cine español en el mercado nacional (2005-2015)
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2018
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06/09/2017
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Universidad Complutense de Madrid
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En el presente trabajo se analiza el posicionamiento del cine español en el mercado nacional, en un período de estudio que comprende desde 2005 hasta 2015. Se hace especial énfasis en los elementos que configuran la imagen y percepción de la cinematografía ibérica, así como en las repercusiones económicas y socioculturales que se desprenden de dicho posicionamiento. Se ha comprobado la influencia de factores externos e internos a la industria que han conformado las percepciones sobre el cine español en la mente del espectador, así como los cambios y las tendencias de posicionamiento que se han suscitado a lo largo del período estudiado. A su vez, se ha ampliado el nivel de conocimiento sobre la imagen y percepción que tienen las producciones españolas en su propio mercado. Producto de los resultados arrojados por este estudio, se propone un modelo de posicionamiento como guía para gestionar la construcción de una mejor imagen del cine español. El planteamiento del modelo de posicionamiento se fundamenta en la gestión de valores y atributos vinculados con esta cinematografía que generen, desde una dimensión emocional, una mayor empatía y conexión con el espectador nacional. A través del empleo de teorías del marketing y posicionamiento de marca, se plantean estrategias para la gestión de la imagen perceptual de las producciones españolas.
The present work analyzes the positioning of Spanish cinema in the national market, during a study period from 2005 to 2015. A special emphasis is placed on the elements that shape the image and perception of the Iberian cinematography, as well as on the Economic and sociocultural repercussions arising from this positioning. It has been verified the influence of external and internal factors to the industry that have shaped the perceptions on the Spanish cinema in the mind of the spectator, as well as the changes and the tendencies of positioning that have arisen throughout the studied period. In turn, the level of knowledge about the image and reception of Spanish productions in their own market has increased. Based on the results of this study, a positioning model is proposed as a guide to manage the construction of a better image of Spanish cinema. The approach of the positioning model is based on the management of values and attributes linked to this cinematography that generate, from an emotional dimension, a greater empathy and connection with the national spectator. Through the use of theories of marketing and brand positioning, strategies are proposed for the management of the perceptual image of Spanish productions.
The present work analyzes the positioning of Spanish cinema in the national market, during a study period from 2005 to 2015. A special emphasis is placed on the elements that shape the image and perception of the Iberian cinematography, as well as on the Economic and sociocultural repercussions arising from this positioning. It has been verified the influence of external and internal factors to the industry that have shaped the perceptions on the Spanish cinema in the mind of the spectator, as well as the changes and the tendencies of positioning that have arisen throughout the studied period. In turn, the level of knowledge about the image and reception of Spanish productions in their own market has increased. Based on the results of this study, a positioning model is proposed as a guide to manage the construction of a better image of Spanish cinema. The approach of the positioning model is based on the management of values and attributes linked to this cinematography that generate, from an emotional dimension, a greater empathy and connection with the national spectator. Through the use of theories of marketing and brand positioning, strategies are proposed for the management of the perceptual image of Spanish productions.
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Tesis de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 06/09/2017