Creación de un formato de concienciación social para la televisión pública española: «Héroes Invisibles»
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2019
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Historia de los Sistemas Informativos
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V Cerdán Martínez, D Villa Gracia (2019): “Creación de un formato de concienciación social para la televisión pública española: «Héroes Invisibles»”. Revista Latina de Comunicación Social, 74, pp. 1565 a 1579.
Abstract
Se analiza Héroes Invisibles, una serie de documentales, producida por RTVE en colaboración con Taifas Comunicación, que retrata en cada capítulo la vida de un español expatriado que trabaja en diferentes proyectos de ayuda humanitaria. Metodología: Mediante las tipologías del documental de Nichols y los modelos de montaje de Bordwell y Thompson, y Aumont, Bergala, Marie y Vernet, los autores analizan la creación y evolución de este formato televisivo. El objetivo principal es averiguar, desde un enfoque cualitativo y cuantitativo, cual ha sido la evolución de la narrativa audiovisual del programa. Resultados: se evidencia un paso de la predominancia de las secuencias observacionales y entrevistas organizadas de manera narrativa a las dinámicas de manera expresiva en la segunda temporada. Conclusiones: hay una evolución en el formato de acuerdo a las exigencias de la cadena, que no muestra un cambio significativo en los niveles de audiencia de una temporada a otra.
Produced by RTVE in collaboration with Taifas Comunicación, Héroes Invisibles is a documentary series that portrays the life of expatriate Spaniards working on different humanitarian aid projects. Each episode focuses on one or several social conflicts such as: child malnutrition in Africa, the consequences of the war in Syria, irregular immigrants in the United States, and rescue operations in the Central Mediterranean. Methods: Based on Nichols’s documentary modes of representing reality and the editing styles of Bordwell and Thompson, and Aumont, Bergala, Marie and Vernet, the authors analyse the creation and evolution of this format produced for Spanish public television. The main objective is to evaluate, from a mix-methods approach, the evolution of the audiovisual narrative of this television format, which had an audience of over 110,000 viewers on the International Channel of TVE and RTVE 2, and on the official online platform of this channel. Results: The format has transitioned from the predominance of observational sequences and interviews in the first season to the use of expressive narrative dynamics during the second season.
Produced by RTVE in collaboration with Taifas Comunicación, Héroes Invisibles is a documentary series that portrays the life of expatriate Spaniards working on different humanitarian aid projects. Each episode focuses on one or several social conflicts such as: child malnutrition in Africa, the consequences of the war in Syria, irregular immigrants in the United States, and rescue operations in the Central Mediterranean. Methods: Based on Nichols’s documentary modes of representing reality and the editing styles of Bordwell and Thompson, and Aumont, Bergala, Marie and Vernet, the authors analyse the creation and evolution of this format produced for Spanish public television. The main objective is to evaluate, from a mix-methods approach, the evolution of the audiovisual narrative of this television format, which had an audience of over 110,000 viewers on the International Channel of TVE and RTVE 2, and on the official online platform of this channel. Results: The format has transitioned from the predominance of observational sequences and interviews in the first season to the use of expressive narrative dynamics during the second season.