Hallyu 한류 en España: espectadores, fanbases y nuevas formas de consumir el audiovisual
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2020
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El camarote de Père Jules; Associació Cinefòrum L’Atalante
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Deltell Escolar, L., Folgar Arias, C. (2020). Hallyu (한류) en España: espectadores, fanbases y nuevas formas de consumir el audiovisual. L'Atalante. Revista de estudios cinematográficos, 29, 39-52.
Abstract
En este artículo se recogen los resultados de una investigación sobre la influencia del Hallyu, nueva ola coreana, en España. Se ha estudio el comportamiento de los nuevos espectadores y cómo estos se organizan en fanbases. Los datos de la investigación revelan que los seguidores españoles del Hallyu configuran una audiencia creativa.
Este público, mayoritariamente compuesto por mujeres y jóvenes, no solo consumen audiovisual coreano, sino que realizan una importante tarea de activismo cultural a favor del Hallyu.
This article presents the results of a study of the influence of Ha-llyu, the new Korean Wave, in Spain. The behaviour of new viewers and the organization of their fanbases have been analyzed. Research data reveals that Spanish Hallyu followers are a creative audience. This group, mostly women and young people, not only consume Ko-rean audio-visual media but they also carry out an important task of cultural activism in favour of Hallyu.
This article presents the results of a study of the influence of Ha-llyu, the new Korean Wave, in Spain. The behaviour of new viewers and the organization of their fanbases have been analyzed. Research data reveals that Spanish Hallyu followers are a creative audience. This group, mostly women and young people, not only consume Ko-rean audio-visual media but they also carry out an important task of cultural activism in favour of Hallyu.













