Tipología de las marcas de propiedad en las encuadernaciones de la Biblioteca de la Real Academia de Bellas Artes de San Fernando
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2015
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Universidad Complutense de Madrid
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Abstract
La comunicación que presentamos es uno de los capítulos de la tesis doctoral que aún se está realizando. Dicho trabajo se centra en el análisis documental, el estudio y la digitalización de las encuadernaciones artísticas tanto del "Archivo Nacional de Calcografía" como de la Biblioteca el Fondo "Lafuente Ferrari", acervos que dependen de la Real Academia de Bellas Artes de San Fernando.
A continuación mostramos diversas “marcas de propiedad” que han sido identificadas y que aparecen en algunas encuadernaciones. La identificación se llevó a cabo mediante la observación directa para elaborar un historial de las procedencias que han enriquecido el acervo bibliográfico de la mencionada institución.
Una vez analizada y estructurada toda la información, se incluyen en el “Catálogo Colectivo de Encuadernaciones Artísticas” (CCEA) de la Universidad Complutense de Madrid, para facilitar la difusión de los fondos, la interacción de las consultas y la cooperación entre instituciones tanto españolas como de otros países, con el propósito de ampliar y complementar las descripciones bibliográficas.
The communication that we will present is one of the chapters of the doctoral thesis that still is realized, the above mentioned work centres on the documentary analysis, the study and the digitalization of the artistic bindings both of the Library and of the " National File of Chalcography " and the Fund "Lafuente Ferrari", arrays that depend on the Royal Academy of San Fernando's Fine arts. Later we will prove to be diverse "marks with property " that have been identified and that appear in some bindings. The identification was carried out by means of the direct observation to elaborate a record of the origins that have enriched the bibliographical array of the mentioned institution. Once analyzed and structured all the information, it is included in the " Collective Catalogue of Artistic Bindings " (CCEA) of the Complutensian University of Madrid, to facilitate the diffusion of the funds, the interaction of the consultations and the cooperation between institutions so much Spanish as of other countries, with the intention of extending and complementing the bibliographical descriptions.
The communication that we will present is one of the chapters of the doctoral thesis that still is realized, the above mentioned work centres on the documentary analysis, the study and the digitalization of the artistic bindings both of the Library and of the " National File of Chalcography " and the Fund "Lafuente Ferrari", arrays that depend on the Royal Academy of San Fernando's Fine arts. Later we will prove to be diverse "marks with property " that have been identified and that appear in some bindings. The identification was carried out by means of the direct observation to elaborate a record of the origins that have enriched the bibliographical array of the mentioned institution. Once analyzed and structured all the information, it is included in the " Collective Catalogue of Artistic Bindings " (CCEA) of the Complutensian University of Madrid, to facilitate the diffusion of the funds, the interaction of the consultations and the cooperation between institutions so much Spanish as of other countries, with the intention of extending and complementing the bibliographical descriptions.