The Influence of ‘Audio Correctors’ in the Creative Process: Between the Performative Reality and the Artifices of the Digital Musical Production

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dc.book.titleSound in Motion Cinema, Videogames, Technology and Audiences
dc.contributor.authorJuan De Dios Cuartas, Marco Antonio
dc.date.accessioned2025-01-30T17:55:48Z
dc.date.available2025-01-30T17:55:48Z
dc.date.issued2018
dc.description.abstractThe article proposes an analysis of the edition of recorded sound in terms of its performativity. From analogical editing to the possibilities of audio correctors in the digital era, there are many possibilities for the transformation of interpretation, bringing us closer to a new concept: “permormative production”. Under this concept the author analyzes the re-interpretation that is carried out through sound editing and the repercussion of this in the subsequent live performance of the songs.
dc.description.departmentDepto. de Musicología
dc.description.facultyFac. de Geografía e Historia
dc.description.refereedTRUE
dc.description.statuspub
dc.identifier.isbn1-5275-0874-9
dc.identifier.urihttps://hdl.handle.net/20.500.14352/117436
dc.language.isoeng
dc.page.final57
dc.page.initial40
dc.page.total17
dc.publisherCambridge Scholars Publishing
dc.rights.accessRightsrestricted access
dc.subject.cdu78
dc.subject.keywordPerformative production
dc.subject.keywordedición analógica
dc.subject.keywordedición digital,
dc.subject.keywordcorrectores de tono
dc.subject.ucmMúsica
dc.subject.unesco6203.06 Música, Musicología
dc.titleThe Influence of ‘Audio Correctors’ in the Creative Process: Between the Performative Reality and the Artifices of the Digital Musical Production
dc.typebook part
dspace.entity.typePublication
relation.isAuthorOfPublicationb5ad8062-5b9d-41a2-a090-7337c2b51df1
relation.isAuthorOfPublication.latestForDiscoveryb5ad8062-5b9d-41a2-a090-7337c2b51df1

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