La crítica periodística ante el relato cinematográfico de la vida artificial
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2026
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08/09/2026
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Universidad Complutense de Madrid
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Abstract
La presente tesis doctoral estudia la crítica periodística contemporánea como una alternativa informativa fundamental para la contextualización e interpretación de los mensajes presentes en las obras cinematográficas. Asimismo, analiza el valor informativo del cine y su capacidad para articular reflexiones complejas sobre la realidad social, científica y tecnológica, incluso a través de narrativas correspondientes a la ficción fantástica.La tesis se apoya en un análisis comparativo de 25 películas y sus correspondientes críticas cinematográficas en el periodo comprendido entre 1999 y 2024, con el fin de estudiar la manera en que cada una de las partes contribuye a la difusión de información en torno a la vida artificial. La selección de este caso de estudio se atribuye a las continuas innovaciones en el campo de la ingeniería biológica, de los cyborgs y de la vida inorgánica, en un grado tal que el marco temporal establecido permite observar cómo estas creaciones se han convertido en una realidad que ocupa un rol cada vez más importante en la sociedad. Su representación audiovisual también ha sido un eje temático recurrente en el ámbito de la ciencia ficción, que ha anticipado una serie de dilemas sociales y ha abierto numerosos debates en torno al tema....
This doctoral thesis examines contemporary journalistic criticism as a fundamental informational tool for contextualizing and interpreting the messages conveyed in cinematic works. It also analyzes the informational value of cinema and its capacity to foster complex reflections on social, scientific, and technological realities, even through fantasy fiction narratives.The thesis is based on a comparative analysis of 25 films and their corresponding reviews from 1999 to 2024, aiming to study how each component contributes to the dissemination of information about artificial life. The selection of this case study is justified by ongoing innovations in biological engineering, cyborg development, and inorganic life, such that the established timeframe allows observation of how these creations have become a reality with an increasingly important role in society. Their audiovisual representation has also been a recurring theme in science fiction, which has anticipated social dilemmas and sparked numerous debates..
This doctoral thesis examines contemporary journalistic criticism as a fundamental informational tool for contextualizing and interpreting the messages conveyed in cinematic works. It also analyzes the informational value of cinema and its capacity to foster complex reflections on social, scientific, and technological realities, even through fantasy fiction narratives.The thesis is based on a comparative analysis of 25 films and their corresponding reviews from 1999 to 2024, aiming to study how each component contributes to the dissemination of information about artificial life. The selection of this case study is justified by ongoing innovations in biological engineering, cyborg development, and inorganic life, such that the established timeframe allows observation of how these creations have become a reality with an increasingly important role in society. Their audiovisual representation has also been a recurring theme in science fiction, which has anticipated social dilemmas and sparked numerous debates..
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 08/09/2026











