Reciclajes postdigitales : literatura generativa con IA en lengua alemana
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2025
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Servicio de Publicaciones de la Universidad de Extremadura
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Llamas Ubieto, Miriam. «Reciclajes postdigitales : literatura generativa con IA en lengua alemana». Anuario de Estudios Filológicos, vol. 48, 2025, pp. 197-216, https://doi.org/10.17398/2660-7301.48.197.
Abstract
RESUMEN: Este artículo indaga en las estrategias de reciclaje postdigital que se desarrollan en la interacción con herramientas de inteligencia artificial en literatura generativa actual en lengua alemana. Analiza los tipos de procedimientos creativos con estos reciclajes para generar textos literarios y presenta las características específicas de la estética generativa que proponen autores como Hannes Bajohr, Berit Glanz, Jörg Piringer, Jennifer Becker o Juan S. Guse, entre otros. Se ofrece así una aproximación al panorama más reciente de una literatura digital en alemán que reflexiona y se pregunta, a través de sus experimentos conceptuales y estéticos, sobre el funcionamiento subyacente de la IA, sobre sus potencialidades y límites estético-creativos y sobre su impacto en la percepción humana.
ABSTRACT: This article investigates the postdigital recycling strategies that are developed in the interaction with artificial intelligence tools in current generative literature in German. It analyses the types of creative procedures which use these recycling modes to generate literary texts and presents the specific characteristics of the generative aesthetics proposed by authors such as Hannes Bajohr, Berit Glanz, Jörg Piringer, Jennifer Becker or Juan S. Guse, among others. It thus offers an approach to the most recent panorama of a digital literature in German that reflects and questions, through its conceptual and aesthetic experiments, the underlying functioning of AI, its aesthetic-creative potentials and limits, and its impact on human perception.
ABSTRACT: This article investigates the postdigital recycling strategies that are developed in the interaction with artificial intelligence tools in current generative literature in German. It analyses the types of creative procedures which use these recycling modes to generate literary texts and presents the specific characteristics of the generative aesthetics proposed by authors such as Hannes Bajohr, Berit Glanz, Jörg Piringer, Jennifer Becker or Juan S. Guse, among others. It thus offers an approach to the most recent panorama of a digital literature in German that reflects and questions, through its conceptual and aesthetic experiments, the underlying functioning of AI, its aesthetic-creative potentials and limits, and its impact on human perception.