El radioteatro en España: marco de referencia para una aproximación diacrónica
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González-Conde, M. J.; Ortiz-Sobrino, M. Á. y Prieto-González, H. (2019). El radioteatro en España: marco de referencia para una aproximación diacrónica. index.comunicación, 9(2), 13-34
Abstract
El artículo ofrece una contextualización del radioteatro en España entre las décadas de los años cuarenta a los años setenta del siglo pasado. A través de un análisis retrospectivo de su historia, se hace hincapié en algunas de las claves de su implantación como género narrativo y dramático. Se trata de encuadrar el desarrollo de este género que, desde sus inicios como audición teatral en directo, pasó a transformarse en su adaptación al medio radiofónico, para más tarde convertirse en una producción radiofónica original completa o seriada —cuento, relato, radionovela o serie— hasta llegar a las actuales nuevas fórmulas discursivas —audiodramas o podcast de ficción—.En este caso, se centra el foco en las tres décadas que significaron el desarrollo y la definitiva implementación del radioteatro en España.
El resultado del análisis que ha dado lugar a esta contribución científica pone de manifiesto la relación de los radioteatros con la situación social y la importancia de su legado literario y cultural. Igualmente, se referencian las aportaciones de los autores y realizadores españoles de radioteatro en esas décadas. Se concluye finalmente que, a lo largo de la historia de la radio, el radiodrama aparece y desaparece condicionado por sus programadores y por la demanda del público.
The main objective of this article is to give a contextualization of radio drama in Spain, over a period of three decades in the last century, between the 1940s and the 1970s. Through retrospective analysis on its history some of the keys related to narrative and drama genres implementation are assessed. The research methodology used can be classified as theoretical-conceptual, since it has been based on the search, compilation and analysis of documentation that have allowed radio theater to be contextualized in those three decades. As a result of the research, the relationship between radio plays and social context is revealed and the contributions of the main Spanish authors and directors of radio drama in those decades are referenced. The final conclusion points to the fact that radio drama throughout radio history has been appearing and disappearing conditioned by programmers and public demand. Despite this, even by the end of the seventies, when radio programmers stood up for informative content, some radio dramatic serials would continue in the radio programming: La Saga de los Porretas (Cadena SER) or Sobrenatural and Historias (RNE)
The main objective of this article is to give a contextualization of radio drama in Spain, over a period of three decades in the last century, between the 1940s and the 1970s. Through retrospective analysis on its history some of the keys related to narrative and drama genres implementation are assessed. The research methodology used can be classified as theoretical-conceptual, since it has been based on the search, compilation and analysis of documentation that have allowed radio theater to be contextualized in those three decades. As a result of the research, the relationship between radio plays and social context is revealed and the contributions of the main Spanish authors and directors of radio drama in those decades are referenced. The final conclusion points to the fact that radio drama throughout radio history has been appearing and disappearing conditioned by programmers and public demand. Despite this, even by the end of the seventies, when radio programmers stood up for informative content, some radio dramatic serials would continue in the radio programming: La Saga de los Porretas (Cadena SER) or Sobrenatural and Historias (RNE)